BEHRINGER XENYX QX1222USB Analog Mixer

BEHRINGER XENYX QX1222USB analog mixer for live sound and recording

The BEHRINGER XENYX QX1222USB is a 16-input analog mixer for bands, small venues, rehearsal spaces, and stereo recording to a computer.

The first four channels combine XENYX microphone preamps, balanced XLR and 1/4-inch TRS line inputs, channel inserts, 3-band EQ, and one-knob compression. Two additional stereo channels also accept microphone-level signals through XLR connectors, allowing the console to handle more microphones alongside stereo line sources.

The onboard 24-bit KLARK TEKNIK effects processor provides 32 presets, two editable parameters, tap tempo, and storage for user parameter settings. A full-size FX send fader controls the effects feed, while the dedicated MON send fader gives direct access to the stage-monitor mix.

A stereo 7-band graphic EQ can be assigned to either the main or monitor bus. The FBQ feedback detection system illuminates the frequency band that requires attention, helping the operator identify the relevant graphic-EQ fader quickly.

The bidirectional USB audio interface transfers stereo audio between the console and a computer at 16-bit / 48 kHz. Main XLR outputs, control-room and headphone outputs, 2-Track RCA connections, XPQ stereo-image processing, and Voice Canceller further support live and playback applications.

Main Features

• A 16-input, 2/2-bus architecture accommodates microphones, instruments, stereo players, and computer audio in one console.
• Four XENYX microphone preamps with up to 60 dB of gain handle primary vocal and instrument microphones.
• Additional XLR inputs on two stereo channels expand the microphone capacity for multi-mic setups.
• One-knob compressors on the mono channels provide fast control of signal peaks and overall dynamics.
• Three-band British-style channel EQ offers ±15 dB adjustment at low, mid, and high frequencies.
• The 24-bit KLARK TEKNIK processor supplies 32 reverb, delay, and multi-effect presets without external processing.
• Full-size MON and FX send faders provide direct control of monitor and effects levels during a performance.
• The stereo 7-band graphic EQ shapes either the main or monitor mix.
• FBQ feedback detection visually identifies the frequency area contributing to acoustic feedback.
• The bidirectional stereo USB audio interface records the console mix and returns computer audio to the mixer.
• XPQ widens the stereo image, while Voice Canceller can reduce centrally placed vocals in playback material.
• A dedicated USB port supports an optional BEHRINGER ULM wireless microphone system.

Technical Specifications

• Type: analog mixer
• Inputs: 16
• Bus architecture: 2/2
• Microphone inputs: 4 × balanced XLR with XENYX preamps; additional XLR inputs on channels 5/6 and 7/8
• Line inputs: 1/4-inch TRS on mono and stereo channels
• Microphone gain range: +10 to +60 dB
• Line-input gain range: mono channels −10 to +40 dB; stereo channels −20 to +20 dB
• Maximum microphone input level: +12 dBu at +10 dB gain
• Microphone input impedance: 2 kΩ balanced
• Line-input impedance: 20 kΩ balanced / 10 kΩ unbalanced
• Phantom power: +48 V, switchable
• Mono-channel EQ: 3-band; 80 Hz, 2.5 kHz, and 12 kHz, ±15 dB
• Channel inserts: 4 × 1/4-inch TRS, unbalanced
• Aux sends: 2 × 1/4-inch TRS, unbalanced; 120 Ω; +22 dBu maximum level
• Main outputs: 2 × balanced XLR; 240 Ω balanced / 120 Ω unbalanced; +28 dBu maximum level
• Control-room outputs: 1/4-inch TRS; +22 dBu maximum level
• Headphone output: 1/4-inch TRS; +21 dBu / 150 Ω maximum level
• 2-Track input and output: RCA
• Effects processor: KLARK TEKNIK, 24-bit Sigma-Delta conversion, 40 kHz sample rate
• Graphic EQ: stereo 7-band with FBQ detection
• USB audio interface: USB Type-B, stereo input / output, 16-bit / 48 kHz
• Power supply: 100–240 V AC, 50/60 Hz, standard IEC connector
• Power consumption: 40 W
• Dimensions: 370 × 338 × 90 mm (W × D × H)
• Weight: 3.8 kg

In the Box

• BEHRINGER XENYX QX1222USB analog mixer

Who Is It For

Designed for bands, live sound operators, rehearsal rooms, music schools, and small venues that need multiple microphone channels, a separate monitor mix, onboard effects, and straightforward stereo recording to a computer.

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