{"title":"Sceniniai komutatoriai (Stagebox)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eSceniniai komutatoriai (Stagebox) skirti garso signalams sujungti ir perduoti tarp scenos bei garso mikšerinio pulto. Čia rasite analoginius ir skaitmeninius sceninius komutatorius, nuotolinius garso įėjimų ir išėjimų modulius bei profesionalius Stagebox sprendimus. Jie naudojami koncertuose, renginiuose, teatruose, įrašų studijose ir stacionariose garso sistemose. Rinkitės MIDAS, Allen \u0026amp; Heath ir kitų profesionalios garso įrangos gamintojų sceninius komutatorius.\u003c\/p\u003e","products":[{"product_id":"midas-dl16","title":"MIDAS DL16 Digital Stage Box","description":"\u003ch2\u003eMIDAS DL16 16-Input \/ 8-Output Digital Stage Box\u003c\/h2\u003e\n\u003cp\u003eMIDAS DL16 is a 16-input and 8-output digital stage box designed for routing audio signals between the stage and front-of-house position in live sound, studio and recording systems.\u003c\/p\u003e\n\u003cp\u003eThe DL16 features 16 remotely controllable MIDAS PRO mic\/line preamplifiers with individually switchable +48 V phantom power. Eight balanced analogue XLR outputs provide return connections for stage monitors, amplifiers and other audio equipment.\u003c\/p\u003e\n\u003cp\u003eDual AES50 ports with Klark Teknik SuperMAC technology carry multichannel audio, control and clock data over a single shielded CAT5e cable. Up to three DL16 units can be daisy-chained to provide a total of 48 inputs and 24 outputs. The manufacturer specifies a maximum AES50 cable length of 100 metres.\u003c\/p\u003e\n\u003cp\u003eAn integrated 16-channel ULTRANET output connects the stage box to a Behringer P16 personal monitoring system. Two optical ADAT outputs can route AES50 channels to external equipment or send the 16 local inputs directly to a recording system in Splitter mode. MIDI IN and OUT provide bidirectional communication with a compatible digital console, while the assignable headphones output and LED level meter support on-stage signal checking.\u003c\/p\u003e\n\u003ch3\u003eMain Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e16 programmable MIDAS PRO mic\/line preamplifiers accommodate microphones and other stage-level audio sources\u003c\/li\u003e\n\u003cli\u003eIndividually switchable +48 V phantom power supports condenser microphones and active DI boxes\u003c\/li\u003e\n\u003cli\u003e8 balanced analogue XLR outputs provide signal returns for monitors, amplifiers and other stage equipment\u003c\/li\u003e\n\u003cli\u003eDual AES50 SuperMAC ports transmit multichannel audio, control and clock data over a single shielded CAT5e cable\u003c\/li\u003e\n\u003cli\u003eUp to three DL16 units can be daisy-chained to expand the system to 48 inputs and 24 outputs\u003c\/li\u003e\n\u003cli\u003eULTRANET output sends 16 channels to a Behringer P16 personal monitoring system\u003c\/li\u003e\n\u003cli\u003eTwo 8-channel optical ADAT outputs connect recording systems and other ADAT-compatible equipment\u003c\/li\u003e\n\u003cli\u003eAssignable headphones output and LED level meter simplify on-stage checking of input, output, P16 and ADAT signals\u003c\/li\u003e\n\u003cli\u003eMIDI IN and OUT provide bidirectional communication with compatible digital consoles and external MIDI devices\u003c\/li\u003e\n\u003cli\u003eUSB-B connection enables firmware updates from a computer\u003c\/li\u003e\n\u003cli\u003e2U enclosure fits a standard 19-inch equipment rack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue inputs:\u003c\/strong\u003e 16 x XLR with programmable MIDAS PRO mic\/line preamplifiers\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue outputs:\u003c\/strong\u003e 8 x balanced XLR\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D converters:\u003c\/strong\u003e 8-channel, 24-bit, 44.1 \/ 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D converter dynamic range:\u003c\/strong\u003e 114 dB, A-weighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eD\/A converters:\u003c\/strong\u003e stereo, 24-bit, 44.1 \/ 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eD\/A converter dynamic range:\u003c\/strong\u003e 120 dB, A-weighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNetworked I\/O latency:\u003c\/strong\u003e 1.1 ms from stage box input through console processing to stage box output\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES50 ports:\u003c\/strong\u003e 2 x SuperMAC, Neutrik etherCON\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES50 cable:\u003c\/strong\u003e shielded CAT5e with etherCON-compatible terminations\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum AES50 cable length:\u003c\/strong\u003e 100 m\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eULTRANET connection:\u003c\/strong\u003e 1 x P-16, no power supplied\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eADAT outputs:\u003c\/strong\u003e 2 x optical TOSLINK, 8 channels each\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMIDI connections:\u003c\/strong\u003e 1 x MIDI IN, 1 x MIDI OUT\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHeadphones output:\u003c\/strong\u003e 1 x 1\/4-inch TRS, mono\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUSB connection:\u003c\/strong\u003e 1 x USB-B for firmware updates\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePhantom power:\u003c\/strong\u003e +48 V, individually switchable for each input\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eXLR input impedance, unbalanced \/ balanced:\u003c\/strong\u003e 10 kΩ \/ 10 kΩ\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum non-clipping XLR input level:\u003c\/strong\u003e +23 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTHD + noise at unity gain:\u003c\/strong\u003e \u0026lt;0.01%, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTHD + noise at +40 dB gain:\u003c\/strong\u003e \u0026lt;0.03%, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEquivalent input noise:\u003c\/strong\u003e -125 dBu at +40 dB gain, 150 Ω source, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz–20 kHz, 0 to -1 dB at 48 kHz sample rate\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue input-to-output dynamic range:\u003c\/strong\u003e 107 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D stage dynamic range:\u003c\/strong\u003e 109 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eD\/A stage dynamic range:\u003c\/strong\u003e 110 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAdjacent-channel crosstalk rejection:\u003c\/strong\u003e 100 dB at 1 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eXLR output level, nominal \/ maximum:\u003c\/strong\u003e +4 dBu \/ +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eXLR output impedance, unbalanced \/ balanced:\u003c\/strong\u003e 50 Ω \/ 50 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHeadphones output impedance \/ level:\u003c\/strong\u003e 40 Ω \/ +21 dBu, mono\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eResidual XLR output noise:\u003c\/strong\u003e -86 dBu, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDisplay:\u003c\/strong\u003e 4-digit, 7-segment LED\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSignal level indicators:\u003c\/strong\u003e signal, -30, -18, -12, -9, -6 and -3 dB, plus clip\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower supply:\u003c\/strong\u003e 100–240 V, 50 \/ 60 Hz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower consumption:\u003c\/strong\u003e 45 W\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRack format:\u003c\/strong\u003e 19-inch, 2U\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 482 x 225 x 89 mm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 4.7 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMIDAS DL16 digital stage box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWho Is It For\u003c\/h3\u003e\n\u003cp\u003eMIDAS DL16 is designed for live sound engineers, concert venues, mobile sound systems, recording studios and production setups that require analogue connections close to the stage and multichannel audio transmission to a compatible digital console. It is compatible with MIDAS M Series, Behringer X Series and WING systems, as well as P16 personal monitoring equipment.\u003c\/p\u003e\n\u003ch3\u003eCan’t find the MIDAS product you are looking for?\u003c\/h3\u003e\n\u003cp\u003eContact us: info@stageiq.lt or +370 636 55536.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":55790085439874,"sku":"4033653070300","price":758.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9736\/9730\/files\/dl16_p0bi3_right_l.jpg?v=1762260653"},{"product_id":"midas-dl32","title":"MIDAS DL32 Digital Stage Box","description":"\u003ch2\u003eMIDAS DL32 32-Input, 16-Output Digital Stage Box\u003c\/h2\u003e\n\u003cp\u003eMIDAS DL32 is a 32-input, 16-output digital stage box designed for live sound, monitoring, multichannel recording and other professional audio systems.\u003c\/p\u003e\n\u003cp\u003eThe unit features 32 remotely controllable MIDAS PRO microphone preamplifiers and 16 balanced analogue XLR outputs. Audio signals can be transferred between the stage and a digital mixing console over AES50 using a single shielded CAT5e cable with a maximum length of 100 metres.\u003c\/p\u003e\n\u003cp\u003eTwo AES50 SuperMAC ports allow the DL32 to be integrated with MIDAS M32 Series consoles, other AES50-compatible equipment and additional stage boxes. The AES50 connection carries multichannel audio, clock synchronisation and control data.\u003c\/p\u003e\n\u003cp\u003eThe ULTRANET output provides 16 digital audio channels for compatible personal monitoring systems and Turbosound iQ Series loudspeakers. Two optical ADAT outputs, two AES\/EBU outputs and MIDI input and output provide additional system integration options. A front-panel MUTE ALL button temporarily mutes all inputs for safe cable connection and disconnection.\u003c\/p\u003e\n\u003ch3\u003eMain Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e32 remotely controllable MIDAS PRO microphone preamplifiers allow microphone and line-level sources to be connected directly on stage\u003c\/li\u003e\n\u003cli\u003e16 balanced analogue XLR outputs provide connections for monitors, amplifiers and other audio equipment\u003c\/li\u003e\n\u003cli\u003eDual AES50 SuperMAC ports carry up to 48 bidirectional audio channels over a single shielded CAT5e cable\u003c\/li\u003e\n\u003cli\u003eAES50 cable runs of up to 100 m allow the stage equipment to be positioned away from the FOH mixing console\u003c\/li\u003e\n\u003cli\u003eULTRANET output carries 16 digital audio channels to compatible personal monitoring systems and Turbosound iQ loudspeakers\u003c\/li\u003e\n\u003cli\u003eTwo optical ADAT outputs provide 16 additional digital audio output channels\u003c\/li\u003e\n\u003cli\u003eTwo AES\/EBU outputs allow external equipment with AES3 digital inputs to be connected\u003c\/li\u003e\n\u003cli\u003eIndividually switchable 48 V phantom power is available for every microphone input\u003c\/li\u003e\n\u003cli\u003eMUTE ALL function mutes all inputs to help prevent unwanted noise while changing connections\u003c\/li\u003e\n\u003cli\u003eAES50 SYNC indicator displays the digital connection and clock synchronisation status\u003c\/li\u003e\n\u003cli\u003eMIDI input and output provide MIDI communication with MIDAS M32 Series consoles\u003c\/li\u003e\n\u003cli\u003eUSB Type-B port enables firmware updates from a computer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eProduct type:\u003c\/strong\u003e digital stage box\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue inputs:\u003c\/strong\u003e 32 programmable MIDAS microphone preamplifiers, balanced XLR connectors\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue outputs:\u003c\/strong\u003e 16 balanced XLR line outputs\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES50 connections:\u003c\/strong\u003e 2 Neutrik etherCON ports, SuperMAC network\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES50 format:\u003c\/strong\u003e 2 × 48 bidirectional channels, 24-bit PCM, 44.1 or 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum AES50 cable length:\u003c\/strong\u003e 100 m with shielded CAT5e cable\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eULTRANET output:\u003c\/strong\u003e 1 × RJ45, unpowered\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eULTRANET format:\u003c\/strong\u003e 1 × 16 unidirectional channels, 22-bit PCM, 44.1 or 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum ULTRANET cable length:\u003c\/strong\u003e 75 m with shielded CAT5 cable\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eADAT outputs:\u003c\/strong\u003e 2 × Toslink\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eADAT format:\u003c\/strong\u003e 2 × 8 unidirectional channels, 24-bit PCM, 44.1 or 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTypical ADAT cable length:\u003c\/strong\u003e 5 m\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES\/EBU outputs:\u003c\/strong\u003e 2 × AES3 XLR\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES\/EBU format:\u003c\/strong\u003e 2 × 2 unidirectional channels, 24-bit PCM, 44.1 or 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES\/EBU impedance:\u003c\/strong\u003e 110 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTypical AES\/EBU cable length:\u003c\/strong\u003e 5 m\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMIDI connections:\u003c\/strong\u003e 1 input and 1 output\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUSB connection:\u003c\/strong\u003e 1 × USB Type-B port for system updates\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D and D\/A conversion:\u003c\/strong\u003e 24-bit at 44.1 or 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D and D\/A converter dynamic range:\u003c\/strong\u003e 114 dB, A-weighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNetwork input-to-output latency:\u003c\/strong\u003e 1.1 ms from stage box input through console processing to stage box output\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone input impedance:\u003c\/strong\u003e 10 kΩ\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum non-clipping input level:\u003c\/strong\u003e +23.5 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePhantom power:\u003c\/strong\u003e 48 V, individually switchable for each input\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEquivalent input noise:\u003c\/strong\u003e less than -126 dBu at +45 dB gain with a 150 Ω source, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz–20 kHz, 0 to -1 dB at a 48 kHz sample rate\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue microphone input-to-analogue output dynamic range:\u003c\/strong\u003e 107 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D dynamic range:\u003c\/strong\u003e 109 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eD\/A dynamic range:\u003c\/strong\u003e 110 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAdjacent-channel crosstalk rejection:\u003c\/strong\u003e 100 dB at 1 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 50 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum XLR output level:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower supply:\u003c\/strong\u003e 100–240 V, 50\/60 Hz, switch-mode autoranging power supply\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower consumption:\u003c\/strong\u003e 55 W\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStandard operating temperature:\u003c\/strong\u003e 5 to 45 °C\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 483 × 242 × 138 mm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 5.7 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMIDAS DL32 digital stage box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWho Is It For\u003c\/h3\u003e\n\u003cp\u003eMIDAS DL32 is designed for concert venues, touring sound systems, bands, event production companies and recording systems that require a high number of microphone inputs and analogue outputs on stage. It can be used with MIDAS M32 Series mixing consoles and other digital mixers or audio systems that support AES50 connectivity.\u003c\/p\u003e\n\u003ch3\u003eCan’t find the MIDAS product you are looking for?\u003c\/h3\u003e\n\u003cp\u003eContact us: info@stageiq.lt or +370 636 55536.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":55790085570946,"sku":"4033653070553","price":1262.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9736\/9730\/files\/dl32_p0bmd_left_l.jpg?v=1762269895"},{"product_id":"allen-heath-dx168","title":"ALLEN \u0026 HEATH DX168 Digital Stage Box","description":"\u003ch2\u003eALLEN \u0026amp; HEATH DX168 Digital Stage Box\u003c\/h2\u003e\n\u003cp\u003eALLEN \u0026amp; HEATH DX168 is a portable 16-input, 8-output 96 kHz digital stage box designed to place remote audio connections close to the stage in compatible dLive, Avantis, SQ, Qu and AHM systems.\u003c\/p\u003e\n\u003cp\u003eSixteen balanced XLR mic\/line inputs feature remotely controlled preamps, +48 V phantom-power indicators and a −20 dB active pad. Eight balanced XLR line outputs are relay protected.\u003c\/p\u003e\n\u003cp\u003eLocking DX A and DX B EtherCon ports carry 96 kHz audio, control and system-status data. DX B can operate in Cascade mode for a second compatible DX expander or in Redundant mode for a backup connection to compatible hardware.\u003c\/p\u003e\n\u003cp\u003eThe DX168 can be positioned up to 100 m from the mixer or an upstream DX expander using Cat5e or higher shielded cable. Its steel chassis, rubber bumpers and carry handle suit portable use, while a separately available kit allows installation in a 19-inch rack.\u003c\/p\u003e\n\u003ch3\u003eMain Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e16 remotely controlled mic\/line preamps connect stage sources to a 96 kHz mixing system.\u003c\/li\u003e\n\u003cli\u003e8 balanced, relay-protected XLR line outputs provide connections for monitors and other stage equipment.\u003c\/li\u003e\n\u003cli\u003e96 kHz DX transport carries audio, preamp control and system status over one network cable.\u003c\/li\u003e\n\u003cli\u003eThe DX B port supports Cascade mode for another DX expander or Redundant mode for a backup connection.\u003c\/li\u003e\n\u003cli\u003eUp to 100 m connection distance provides flexible placement on stage and in technical areas.\u003c\/li\u003e\n\u003cli\u003eA +48 V indicator at every input makes phantom-power status visible at the socket.\u003c\/li\u003e\n\u003cli\u003eAutomatic firmware matching by the connected system removes the need for separate device configuration.\u003c\/li\u003e\n\u003cli\u003eRubber bumpers, a steel chassis and carry handle support horizontal, vertical or rack-mounted use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eProduct type:\u003c\/strong\u003e digital stage box\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSample rate:\u003c\/strong\u003e 96 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInputs:\u003c\/strong\u003e 16 × balanced XLR mic\/line\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOutputs:\u003c\/strong\u003e 8 × balanced, relay-protected XLR line\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePreamp gain:\u003c\/strong\u003e +5 to +60 dB in 1 dB steps\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePad:\u003c\/strong\u003e −20 dB active\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum input level:\u003c\/strong\u003e +30 dBu with pad engaged\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInput impedance:\u003c\/strong\u003e \u0026gt;4 kΩ pad out, \u0026gt;10 kΩ pad in\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNominal output level:\u003c\/strong\u003e +4 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum output level:\u003c\/strong\u003e +22 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e \u0026lt;75 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSystem connections:\u003c\/strong\u003e DX A and DX B on locking EtherCon\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eConnection modes:\u003c\/strong\u003e Cascade or Redundant\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum connection distance:\u003c\/strong\u003e 100 m over Cat5e or higher shielded cable\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower:\u003c\/strong\u003e 100–240 V AC, 50\/60 Hz, 35 W maximum\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOperating temperature:\u003c\/strong\u003e 0–35 °C\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 410 × 190 × 185 mm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 4.6 kg\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCompatibility:\u003c\/strong\u003e dLive, Avantis, SQ, 96 kHz Qu models and AHM\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\u003cli\u003eALLEN \u0026amp; HEATH DX168 digital stage box\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3\u003eWho Is It For\u003c\/h3\u003e\n\u003cp\u003eDX168 is intended for live sound, rental, education, houses of worship and installed systems using a compatible 96 kHz ALLEN \u0026amp; HEATH platform where inputs and outputs need to be positioned reliably near the stage.\u003c\/p\u003e\n\u003ch3\u003eCan’t find the ALLEN \u0026amp; HEATH product you are looking for?\u003c\/h3\u003e\u003cp\u003eContact us: info@stageiq.lt or +370 636 55536.\u003c\/p\u003e","brand":"ALLEN \u0026 HEATH","offers":[{"title":"Default Title","offer_id":56434586681730,"sku":"DX168","price":1765.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9736\/9730\/files\/ALLEN-_-HEATH-DX168-pic1.jpg?v=1772618272"},{"product_id":"allen-heath-dt168","title":"ALLEN \u0026 HEATH DT168 Dante Stage Box","description":"\u003ch2\u003eALLEN \u0026amp; HEATH DT168 Dante Stage Box\u003c\/h2\u003e\n\u003cp\u003eALLEN \u0026amp; HEATH DT168 is a portable 16-input, 8-output Dante stage box for 48 or 96 kHz networked audio systems and remote placement of analogue audio connections.\u003c\/p\u003e\n\u003cp\u003eSixteen balanced XLR mic\/line inputs feature remotely controlled preamps, +48 V phantom-power indicators and a −20 dB pad. Eight balanced XLR line outputs are relay protected.\u003c\/p\u003e\n\u003cp\u003eTwo locking EtherCon Dante ports can operate in Switched mode for daisy-chained network connections or Redundant mode for connection resilience. The DT168 supports AES67 and Dante Domain Manager, while compatible ALLEN \u0026amp; HEATH systems provide direct control of its preamps.\u003c\/p\u003e\n\u003cp\u003eThe steel chassis, rubber bumpers and carry handle suit stage use. DT Preamp Control for Windows and macOS provides remote gain, phantom-power and pad control, allowing the DT168 to work with Dante-equipped third-party systems as well.\u003c\/p\u003e\n\u003ch3\u003eMain Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e16 remotely controlled mic\/line preamps add analogue inputs to a Dante network.\u003c\/li\u003e\n\u003cli\u003e8 balanced, relay-protected XLR line outputs convert Dante channels to analogue outputs.\u003c\/li\u003e\n\u003cli\u003e48 and 96 kHz operation supports Dante systems running at either sample rate.\u003c\/li\u003e\n\u003cli\u003e24-bit Dante audio transport fits professional networked-audio workflows.\u003c\/li\u003e\n\u003cli\u003ePrimary and Secondary locking EtherCon ports support Switched or Redundant network modes.\u003c\/li\u003e\n\u003cli\u003eCompatible dLive, Avantis, SQ and AHM systems provide direct preamp control.\u003c\/li\u003e\n\u003cli\u003eDT Preamp Control software manages gain, +48 V phantom power and pad settings with third-party Dante systems.\u003c\/li\u003e\n\u003cli\u003eAES67 and Dante Domain Manager support aid integration into larger networked installations.\u003c\/li\u003e\n\u003cli\u003eRubber bumpers, a carry handle and an optional 19-inch rack kit support stage or rack deployment.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eProduct type:\u003c\/strong\u003e Dante stage box\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSample rate:\u003c\/strong\u003e 48 or 96 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBit depth:\u003c\/strong\u003e 24-bit\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInputs:\u003c\/strong\u003e 16 × balanced XLR mic\/line\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOutputs:\u003c\/strong\u003e 8 × balanced, relay-protected XLR line\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePreamp gain:\u003c\/strong\u003e +5 to +60 dB in 1 dB steps\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePad:\u003c\/strong\u003e −20 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum input level:\u003c\/strong\u003e +30 dBu with pad engaged\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInput impedance:\u003c\/strong\u003e \u0026gt;4 kΩ pad out, \u0026gt;10 kΩ pad in\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNominal output level:\u003c\/strong\u003e +4 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum output level:\u003c\/strong\u003e +22 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e \u0026lt;75 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNetwork connections:\u003c\/strong\u003e 2 × locking EtherCon, Dante Primary and Secondary\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNetwork modes:\u003c\/strong\u003e Switched or Redundant\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNetwork compatibility:\u003c\/strong\u003e Dante, AES67, Dante Domain Manager\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower:\u003c\/strong\u003e 100–240 V AC, 50\/60 Hz, 40 W maximum\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOperating temperature:\u003c\/strong\u003e 0–40 °C\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 410 × 190 × 185 mm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 4.6 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\u003cli\u003eALLEN \u0026amp; HEATH DT168 Dante stage box\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3\u003eWho Is It For\u003c\/h3\u003e\n\u003cp\u003eDT168 is intended for live sound, rental, theatres, stadiums, education and installed Dante systems that need reliable distribution of multiple analogue inputs and outputs across different locations.\u003c\/p\u003e\n\u003ch3\u003eCan’t find the ALLEN \u0026amp; HEATH product you are looking for?\u003c\/h3\u003e\u003cp\u003eContact us: info@stageiq.lt or +370 636 55536.\u003c\/p\u003e","brand":"ALLEN \u0026 HEATH","offers":[{"title":"Default Title","offer_id":56434653954434,"sku":"DT168","price":2085.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9736\/9730\/files\/ALLEN-_-HEATH-DT168-pic2.jpg?v=1772618776"},{"product_id":"allen-heath-ab168","title":"ALLEN \u0026 HEATH AB168 Digital Stage Box","description":"\u003ch2\u003eALLEN \u0026amp; HEATH AB168 Digital Stage Box\u003c\/h2\u003e\n\u003cp\u003eALLEN \u0026amp; HEATH AB168 is a portable 16-input, 8-output 48 kHz digital stage box designed to place remote audio connections close to the stage and sound sources in compatible ALLEN \u0026amp; HEATH digital systems.\u003c\/p\u003e\n\u003cp\u003eIts sixteen XLR mic\/line inputs feature remotely controlled preamps, +48 V phantom-power indicators and a −20 dB pad for line-level sources. Eight balanced XLR line outputs are relay protected.\u003c\/p\u003e\n\u003cp\u003eA single Cat5 cable carries dSNAKE audio and control between the mixer or an upstream expander and the AB168 over distances of up to 100 m. A second locking EtherCon Expander port supports daisy-chaining a compatible expander or connecting an ALLEN \u0026amp; HEATH ME personal monitoring system.\u003c\/p\u003e\n\u003cp\u003eThe steel chassis, rubber bumpers and carry handle suit stage use. The AB168 can operate horizontally or vertically and can be installed in a 19-inch rack with the separately available 4U rack-mount kit.\u003c\/p\u003e\n\u003ch3\u003eMain Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e16 remotely controlled mic\/line preamps place stage inputs close to performers and sources.\u003c\/li\u003e\n\u003cli\u003e8 balanced, relay-protected XLR line outputs provide connections for monitors and other stage equipment.\u003c\/li\u003e\n\u003cli\u003e48 kHz dSNAKE transports audio, preamp control and system status over a single Cat5 cable.\u003c\/li\u003e\n\u003cli\u003eUp to 100 m cable runs allow flexible positioning between the mixer and stage.\u003c\/li\u003e\n\u003cli\u003eThe Expander port supports a compatible downstream expander or an ME personal monitoring system.\u003c\/li\u003e\n\u003cli\u003eA +48 V indicator at every input makes phantom-power status easy to check.\u003c\/li\u003e\n\u003cli\u003eAutomatic firmware matching from the connected system simplifies setup.\u003c\/li\u003e\n\u003cli\u003eRubber bumpers, a steel chassis and carry handle support portable stage use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eProduct type:\u003c\/strong\u003e digital stage box\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSample rate:\u003c\/strong\u003e 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInputs:\u003c\/strong\u003e 16 × balanced XLR mic\/line\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOutputs:\u003c\/strong\u003e 8 × balanced, relay-protected XLR line\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePreamp gain:\u003c\/strong\u003e +5 to +60 dB in 1 dB steps\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePad:\u003c\/strong\u003e −20 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum input level:\u003c\/strong\u003e +32 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInput impedance:\u003c\/strong\u003e \u0026gt;4 kΩ pad out, \u0026gt;10 kΩ pad in\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNominal output level:\u003c\/strong\u003e +4 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum output level:\u003c\/strong\u003e +22 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e \u0026lt;75 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSystem connection:\u003c\/strong\u003e dSNAKE on locking EtherCon\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eExpansion connection:\u003c\/strong\u003e Expander on locking EtherCon\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum connection distance:\u003c\/strong\u003e 100 m over Cat5\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower:\u003c\/strong\u003e 100–240 V AC, 50\/60 Hz, 40 W maximum\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOperating temperature:\u003c\/strong\u003e 0–35 °C\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 4.8 kg\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCompatibility:\u003c\/strong\u003e SQ, Qu, Avantis, AHM-64 and GLD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\u003cli\u003eALLEN \u0026amp; HEATH AB168 digital stage box\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3\u003eWho Is It For\u003c\/h3\u003e\n\u003cp\u003eAB168 is intended for live sound, rental, education, houses of worship and installed systems using compatible ALLEN \u0026amp; HEATH mixers or AHM processors where analogue audio connections need to be positioned close to the stage.\u003c\/p\u003e\n\u003ch3\u003eCan’t find the ALLEN \u0026amp; HEATH product you are looking for?\u003c\/h3\u003e\u003cp\u003eContact us: info@stageiq.lt or +370 636 55536.\u003c\/p\u003e","brand":"ALLEN \u0026 HEATH","offers":[{"title":"Default Title","offer_id":56434748850562,"sku":"AB168","price":1185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9736\/9730\/files\/ALLEN-_-HEATH-AB168-pic2.jpg?v=1772619718"},{"product_id":"allen-heath-ar2412","title":"ALLEN \u0026 HEATH AR2412 Digital Stage Box","description":"\u003ch2\u003eALLEN \u0026amp; HEATH AR2412 Digital Stage Box\u003c\/h2\u003e\n\n\u003cp\u003eALLEN \u0026amp; HEATH AR2412 is a 24-input, 12-output digital stage box designed to expand the I\/O capacity of compatible Allen \u0026amp; Heath digital mixers and AHM audio matrix processors while positioning the connections closer to the stage or audio sources.\u003c\/p\u003e\n\n\u003cp\u003eThe AR2412 provides 24 balanced XLR mic\/line inputs with remotely controlled preamplifiers and 12 balanced, relay-protected XLR line outputs. A\/D and D\/A conversion takes place close to the audio sources, while 48 kHz dSNAKE audio and control data are carried over a single shielded CAT5e or higher-category cable at distances of up to 100 metres.\u003c\/p\u003e\n\n\u003cp\u003ePreamp sensitivity, gain, the -20 dB pad and 48 V phantom power are controlled remotely from the mixer. These settings can be stored and recalled with mixer scenes, making the AR2412 suitable for touring, portable and installed sound systems.\u003c\/p\u003e\n\n\u003cp\u003eA dedicated Expander port allows an AR84 or AB168 to be connected in a daisy chain, while the Monitor port supports Allen \u0026amp; Heath ME and Aviom Pro16 personal monitoring systems. No separate configuration is required, and the connected mixer automatically matches the AR2412 firmware to the system.\u003c\/p\u003e\n\n\u003ch3\u003eMain Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e24 remotely controlled mic\/line preamplifiers allow audio sources to be connected directly on stage\u003c\/li\u003e\n  \u003cli\u003e12 balanced, relay-protected XLR line outputs provide connections for monitors, amplifiers and other audio equipment\u003c\/li\u003e\n  \u003cli\u003e48 kHz dSNAKE carries multichannel audio and preamp control data over a single network cable\u003c\/li\u003e\n  \u003cli\u003eA maximum connection distance of 100 m provides flexible positioning of the mixer and stage box\u003c\/li\u003e\n  \u003cli\u003ePreamp gain, pad and 48 V phantom power are controlled from a compatible mixer\u003c\/li\u003e\n  \u003cli\u003eThe Expander port allows an AR84 or AB168 to be connected in a daisy chain for additional system I\/O\u003c\/li\u003e\n  \u003cli\u003eThe Monitor port supports Allen \u0026amp; Heath ME and Aviom Pro16 personal monitoring systems\u003c\/li\u003e\n  \u003cli\u003eAutomatic firmware matching simplifies system setup\u003c\/li\u003e\n  \u003cli\u003eCompatible with Allen \u0026amp; Heath SQ, Qu, Avantis, AHM-64 and GLD systems\u003c\/li\u003e\n  \u003cli\u003eRobust 3U steel chassis is designed for installation in a standard 19-inch rack\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\u003cstrong\u003eProduct type:\u003c\/strong\u003e digital stage box\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eSample rate:\u003c\/strong\u003e 48 kHz\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eMic\/line inputs:\u003c\/strong\u003e 24 balanced XLR connectors\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eLine outputs:\u003c\/strong\u003e 12 balanced, relay-protected XLR connectors\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eInput sensitivity:\u003c\/strong\u003e -60 to +15 dBu\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eAnalogue gain:\u003c\/strong\u003e +5 to +60 dB in 1 dB steps\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003ePad:\u003c\/strong\u003e -20 dB\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eMaximum input level:\u003c\/strong\u003e +32 dBu\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eInput impedance:\u003c\/strong\u003e greater than 4 kΩ with pad out; greater than 10 kΩ with pad in\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eMic equivalent input noise:\u003c\/strong\u003e -127 dB with a 150 Ω source\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e less than 75 Ω\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eNominal output level:\u003c\/strong\u003e +4 dBu equals a 0 dB meter reading\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eMaximum output level:\u003c\/strong\u003e +22 dBu\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eResidual output noise:\u003c\/strong\u003e -91 dBu, muted, 20 Hz–20 kHz\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eNetwork protocol:\u003c\/strong\u003e Allen \u0026amp; Heath dSNAKE\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003edSNAKE connection:\u003c\/strong\u003e locking EtherCon \/ RJ45\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eExpander connection:\u003c\/strong\u003e locking EtherCon \/ RJ45 for AR84 or AB168\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eMonitor connection:\u003c\/strong\u003e locking EtherCon \/ RJ45, compatible with Allen \u0026amp; Heath ME and Aviom Pro16 systems\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eRecommended cable:\u003c\/strong\u003e shielded CAT5e or higher-category network cable\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eMaximum cable length:\u003c\/strong\u003e 100 m between devices\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eCompatibility:\u003c\/strong\u003e Allen \u0026amp; Heath SQ, Qu, Avantis, AHM-64 and GLD\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eChassis:\u003c\/strong\u003e steel, designed for installation in a 19-inch rack\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eRack height:\u003c\/strong\u003e 3U\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003ePower supply:\u003c\/strong\u003e 100–240 V AC, 50\/60 Hz\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eMaximum power consumption:\u003c\/strong\u003e 70 W\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eOperating temperature:\u003c\/strong\u003e 0 to 35 °C\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 483 × 220 × 137 mm\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 5 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eALLEN \u0026amp; HEATH AR2412 digital stage box\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWho Is It For\u003c\/h3\u003e\n\u003cp\u003eALLEN \u0026amp; HEATH AR2412 is designed for live sound systems, theatres, cultural venues, houses of worship, event production companies and other portable or installed systems using compatible Allen \u0026amp; Heath digital mixers or AHM audio matrix processors.\u003c\/p\u003e\n\n\u003ch3\u003eCan’t find the ALLEN \u0026amp; HEATH product you are looking for?\u003c\/h3\u003e\n\u003cp\u003eContact us: info@stageiq.lt or +370 636 55536.\u003c\/p\u003e","brand":"ALLEN \u0026 HEATH","offers":[{"title":"Default Title","offer_id":56434838110594,"sku":"AR2412","price":1440.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9736\/9730\/files\/ALLEN-_-HEATH-AR2412-pic5.jpg?v=1772620973"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9736\/9730\/collections\/ALLEN-_-HEATH-CQ-20B.jpg?v=1784193437","url":"https:\/\/stageiq.lt\/en\/collections\/sceniniai-komutatoriai-stagebox.oembed","provider":"STAGE IQ","version":"1.0","type":"link"}