{"title":"Midas","description":"\u003cp\u003eMidas – profesionalios garso įrangos gamintojas, geriausiai žinomas dėl skaitmeninių ir analoginių mikšerinių pultų, sceninių dėžių bei asmeninio monitoravimo sistemų. Stage IQ asortimente rasite Midas sprendimus koncertams, teatrams, studijoms, transliacijoms ir stacionarioms garso instaliacijoms.\u003c\/p\u003e","products":[{"product_id":"midas-mr12","title":"MIDAS MR12 Digital Mixer","description":"\u003ch2\u003eMIDAS MR12 12-Input Digital Mixer\u003c\/h2\u003e\n\u003cp\u003eMIDAS MR12 is a 12-input digital mixer designed for live sound, events, rehearsals and audio recording.\u003c\/p\u003e\n\u003cp\u003eIts compact stage-box-style enclosure provides 4 programmable MIDAS PRO microphone preamps with XLR\/TRS combo connectors and 8 balanced TRS line inputs. The mixer can be controlled using dedicated apps for iPad, Android, Windows, macOS and Linux, allowing you to adjust the mix from different positions within a venue or studio.\u003c\/p\u003e\n\u003cp\u003eThe integrated tri-mode Wi-Fi module allows the MR12 to operate as a wireless access point, connect to an existing Wi-Fi network or use a wired Ethernet connection. Access Point mode supports direct connections from up to four control devices. Performers can also use compatible mobile devices to adjust their own monitor mixes.\u003c\/p\u003e\n\u003cp\u003eEvery input channel includes a low-cut filter, 4-band fully parametric EQ, gate and compressor. Four built-in true-stereo effects engines provide access to reverb, delay, modulation, dynamics and other processing, while the 100-band real-time analyser helps you monitor and adjust the frequency balance accurately.\u003c\/p\u003e\n\u003cp\u003eThe USB Type-A port supports stereo WAV recording and playback using a USB storage device. Physical MIDI input and output connectors allow external MIDI controllers to be connected, while M AIR Gain Sharing technology can automatically manage the levels of up to four live microphones.\u003c\/p\u003e\n\u003ch3\u003eMain Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e12 physical inputs accommodate microphones, instruments and line-level audio sources\u003c\/li\u003e\n\u003cli\u003e4 programmable MIDAS PRO microphone preamps with balanced XLR\/TRS combo connectors\u003c\/li\u003e\n\u003cli\u003e8 balanced TRS line inputs for additional mono or stereo audio sources\u003c\/li\u003e\n\u003cli\u003eRemote control using compatible iPad, Android, Windows, macOS and Linux devices\u003c\/li\u003e\n\u003cli\u003eIntegrated tri-mode Wi-Fi module supports Access Point, Wi-Fi Client and wired Ethernet operation\u003c\/li\u003e\n\u003cli\u003eFour true-stereo effects engines provide reverb, delay, modulation and dynamics processing without additional hardware\u003c\/li\u003e\n\u003cli\u003eLow-cut filter, 4-band fully parametric EQ, gate and compressor on every input channel\u003c\/li\u003e\n\u003cli\u003e100-band real-time analyser on channel and bus EQs provides visual frequency monitoring\u003c\/li\u003e\n\u003cli\u003eM AIR Gain Sharing technology automatically manages mixes with up to four live microphones\u003c\/li\u003e\n\u003cli\u003eUSB stereo recording and playback using a FAT32-formatted storage device\u003c\/li\u003e\n\u003cli\u003eMIDI input and output support external MIDI and Mackie Control-compatible controllers\u003c\/li\u003e\n\u003cli\u003eTwo balanced Aux outputs can be used for monitor mixes or separate audio feeds\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eProduct type:\u003c\/strong\u003e digital mixer\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNumber of physical inputs:\u003c\/strong\u003e 12\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eProcessing channels:\u003c\/strong\u003e 16 input channels, 1 stereo USB return channel, 4 stereo FX return channels, 6 Aux buses and main LR bus\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone\/line inputs:\u003c\/strong\u003e 4 balanced XLR\/TRS combo connectors\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLine inputs:\u003c\/strong\u003e 8 balanced TRS connectors\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone preamps:\u003c\/strong\u003e 4 programmable MIDAS PRO preamps\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePhantom power:\u003c\/strong\u003e 48 V, individually switchable per microphone input\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMain outputs:\u003c\/strong\u003e 2 balanced XLR connectors\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAux outputs:\u003c\/strong\u003e 2 balanced TRS connectors\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHeadphone output:\u003c\/strong\u003e 1 TRS connector\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMIDI connections:\u003c\/strong\u003e 1 MIDI input and 1 MIDI output, DIN\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNetwork connection:\u003c\/strong\u003e 1 RJ45 Ethernet port\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUSB connection:\u003c\/strong\u003e USB Type-A\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInternal effects engines:\u003c\/strong\u003e 4 true-stereo\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSignal processing:\u003c\/strong\u003e 40-bit floating-point DSP\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D and D\/A conversion:\u003c\/strong\u003e 24-bit at 44.1 or 48 kHz, 115 dB dynamic range\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue input-to-output latency:\u003c\/strong\u003e 0.8 ms, including all channel and bus processing, excluding insert effects\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency range:\u003c\/strong\u003e 20 Hz–20 kHz at 48 kHz sample rate, ±0.5 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue input-to-output dynamic range:\u003c\/strong\u003e 108 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWLAN standard:\u003c\/strong\u003e IEEE 802.11 b\/g, 2.4 GHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAccess Point clients:\u003c\/strong\u003e up to 4\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUSB recording format:\u003c\/strong\u003e stereo WAV, 16-bit, 44.1 or 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSupported USB file system:\u003c\/strong\u003e FAT32\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower supply:\u003c\/strong\u003e 100–240 V, 50\/60 Hz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower consumption:\u003c\/strong\u003e 30 W\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOperating temperature range:\u003c\/strong\u003e 5–40 °C\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 333 × 149 × 95 mm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 2.9 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMIDAS MR12 digital mixer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWho Is It For\u003c\/h3\u003e\n\u003cp\u003eMIDAS MR12 is suitable for bands, performers, sound engineers, small venues, rehearsal studios and portable sound systems. Its remote control, automatic microphone gain sharing and integrated signal processing also make it suitable for conferences, panel discussions and other events that use several microphones simultaneously.\u003c\/p\u003e\n\u003ch3\u003eCan’t find the MIDAS product you are looking for?\u003c\/h3\u003e\n\u003cp\u003eContact us: info@stageiq.lt or +370 636 55536.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":55787461968258,"sku":"4033653071109","price":389.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9736\/9730\/files\/MIDASMR12pic.jpg?v=1784533534"},{"product_id":"midas-mr18","title":"MIDAS MR18 Digital Mixer","description":"\u003ch2\u003eMIDAS MR18 18-Input Digital Mixer\u003c\/h2\u003e\n\u003cp\u003eThe MIDAS MR18 is an 18-input digital mixer designed for live sound, multitrack recording, personal monitor mixing and studio applications. Its stagebox-style design allows the mixer to be positioned close to performers while all mixing functions are controlled remotely from a tablet or computer.\u003c\/p\u003e\n\u003cp\u003eSixteen balanced XLR\/TRS combo inputs feature MIDAS PRO microphone preamps with individually switchable 48 V phantom power. Two additional balanced TRS inputs can be used for stereo line-level sources, keyboards, media players and other external audio equipment.\u003c\/p\u003e\n\u003cp\u003eThe M AIR control software provides remote operation from iPad, Android, Windows, macOS and Linux devices. The integrated tri-mode network interface supports Access Point, Wi-Fi Client and wired Ethernet operation, allowing the control setup to be adapted to different venues and production environments.\u003c\/p\u003e\n\u003cp\u003eAn integrated 18 × 18 USB audio interface enables multitrack recording and playback at 44.1 or 48 kHz. The mixer also includes four stereo effects engines, six Aux buses, 100-band real-time analysis, automatic microphone mixing and a 16-channel ULTRANET output for compatible personal monitoring systems.\u003c\/p\u003e\n\u003ch3\u003eMain Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e18-input digital mixer in a compact stagebox-style enclosure\u003c\/li\u003e\n\u003cli\u003e16 MIDAS PRO microphone preamps with balanced XLR\/TRS combo inputs\u003c\/li\u003e\n\u003cli\u003eIndividually switchable 48 V phantom power on microphone inputs\u003c\/li\u003e\n\u003cli\u003eTwo additional balanced TRS line inputs for stereo audio sources\u003c\/li\u003e\n\u003cli\u003eIntegrated 18 × 18 USB audio interface for multitrack recording and playback\u003c\/li\u003e\n\u003cli\u003eRemote control from iPad, Android, Windows, macOS and Linux devices\u003c\/li\u003e\n\u003cli\u003eBuilt-in Access Point, Wi-Fi Client and wired Ethernet network modes\u003c\/li\u003e\n\u003cli\u003eFour true-stereo internal effects engines without the need for external processors\u003c\/li\u003e\n\u003cli\u003eSix Aux buses with inserts, dynamics and parametric or graphic equalisation\u003c\/li\u003e\n\u003cli\u003e100-band real-time analyser available for channel and bus equalisation\u003c\/li\u003e\n\u003cli\u003eM AIR Gain Sharing automatic mixing for applications using up to 16 live microphones\u003c\/li\u003e\n\u003cli\u003eULTRANET connection for distributing 16 digital audio sources to compatible personal monitoring systems\u003c\/li\u003e\n\u003cli\u003e40-bit floating-point signal processing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eProcessing input channels:\u003c\/strong\u003e 18\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEffects return channels:\u003c\/strong\u003e 4\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAux buses:\u003c\/strong\u003e 6\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMain mix bus:\u003c\/strong\u003e Stereo LR\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone\/line inputs:\u003c\/strong\u003e 16 × balanced XLR\/TRS combo\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLine inputs:\u003c\/strong\u003e 2 × balanced 6.3 mm TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMain outputs:\u003c\/strong\u003e 2 × balanced XLR\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAux outputs:\u003c\/strong\u003e 6 × balanced XLR\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHeadphone output:\u003c\/strong\u003e 1 × 6.3 mm TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone preamps:\u003c\/strong\u003e 16 × MIDAS PRO\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePhantom power:\u003c\/strong\u003e +48 V, individually switchable per input\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInput processing:\u003c\/strong\u003e Low-cut filter, 4-band fully parametric EQ, gate and compressor\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAux bus processing:\u003c\/strong\u003e Inserts, dynamics and 6-band parametric EQ or 31-band graphic EQ\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInternal effects:\u003c\/strong\u003e 4 true-stereo or 8 mono effects engines\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAutomatic mixing:\u003c\/strong\u003e M AIR Gain Sharing for up to 16 microphones\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eReal-time analyser:\u003c\/strong\u003e 100-band RTA\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSignal processing:\u003c\/strong\u003e 40-bit floating point\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D and D\/A conversion:\u003c\/strong\u003e 24-bit at 44.1 or 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eConverter dynamic range:\u003c\/strong\u003e 115 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue input-to-output latency:\u003c\/strong\u003e 0.8 ms, including channel and bus processing and excluding insert effects\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUSB audio interface:\u003c\/strong\u003e 18 inputs × 18 outputs\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUSB MIDI interface:\u003c\/strong\u003e 16 inputs × 16 outputs\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUSB connection:\u003c\/strong\u003e USB Type-B\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSample rates:\u003c\/strong\u003e 44.1 and 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eULTRANET:\u003c\/strong\u003e 1 × RJ45, 16 digital audio sources\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMIDI:\u003c\/strong\u003e 1 × input and 1 × output, 5-pin DIN\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEthernet:\u003c\/strong\u003e 1 × RJ45\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWireless network modes:\u003c\/strong\u003e Access Point and Wi-Fi Client\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWireless standard:\u003c\/strong\u003e IEEE 802.11 b\/g, 2.4 GHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWireless frequency range:\u003c\/strong\u003e 2412–2462 MHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWireless channels:\u003c\/strong\u003e 1–11\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum Access Point clients:\u003c\/strong\u003e 4\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAntenna connection:\u003c\/strong\u003e External SMA, 50 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum wireless output power:\u003c\/strong\u003e 19 dBm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz–20 kHz, ±0.5 dB at 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue input-to-output dynamic range:\u003c\/strong\u003e 107 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D dynamic range:\u003c\/strong\u003e 110 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eD\/A dynamic range:\u003c\/strong\u003e 111 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAdjacent-channel crosstalk rejection:\u003c\/strong\u003e 90 dB at 1 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone preamp THD+N:\u003c\/strong\u003e 0.005% at unity gain, 0 dBu, 1 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEquivalent input noise:\u003c\/strong\u003e −125 dBu at +60 dB gain, 150 Ω source, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCommon-mode rejection ratio:\u003c\/strong\u003e Typically 65 dB at unity gain and 90 dB at +60 dB gain\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone\/line input impedance:\u003c\/strong\u003e 10 kΩ\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum microphone\/line input level:\u003c\/strong\u003e +23.5 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLine input impedance:\u003c\/strong\u003e 20 kΩ unbalanced or 40 kΩ balanced\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum line input level:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eXLR output impedance:\u003c\/strong\u003e 50 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum XLR output level:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHeadphone output impedance:\u003c\/strong\u003e 50 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum headphone output level:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOutput noise with one input assigned:\u003c\/strong\u003e −86 dBu at unity gain, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOutput noise when muted:\u003c\/strong\u003e −90 dBu, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower supply:\u003c\/strong\u003e 100–240 V AC, 50\/60 Hz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower consumption:\u003c\/strong\u003e 30 W\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOperating temperature:\u003c\/strong\u003e 5–40 °C\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 333 × 149 × 140 mm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 3.9 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMIDAS MR18 digital mixer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWho Is It For?\u003c\/h3\u003e\n\u003cp\u003eThe MIDAS MR18 is suitable for bands, live sound engineers, venues, houses of worship, rehearsal rooms, recording studios and mobile sound systems. Its automatic microphone mixing function also makes it useful for panel discussions, press conferences and other productions involving multiple live microphones.\u003c\/p\u003e\n\u003ch3\u003eCan’t find the MIDAS product you are looking for?\u003c\/h3\u003e\n\u003cp\u003eContact us: info@stageiq.lt or +370 636 55536.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":55787462328706,"sku":"4033653071093","price":676.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9736\/9730\/files\/MIDAS-MR18-pic2.jpg?v=1784530044"},{"product_id":"midas-m32c","title":"MIDAS M32C Digital Mixing Console","description":"\u003ch2\u003eMIDAS M32C 40-Channel Digital Rack Mixer\u003c\/h2\u003e\n\u003cp\u003eThe MIDAS M32C is a 40-channel, 25-bus digital rack mixer designed for live sound, installed audio systems, studios and broadcast applications.\u003c\/p\u003e\n\u003cp\u003eThe processing system of the M32 digital console is housed in a compact 1U aluminium and steel chassis. The M32C has no built-in analogue channel inputs, so audio sources are connected through compatible AES50 stage boxes such as the MIDAS DL16 or DL32. Two AES50 SuperMAC ports support up to 96 network input and 96 network output channels, while the mixer processes 40 input channels simultaneously.\u003c\/p\u003e\n\u003cp\u003eThe processing architecture provides 32 main input channels, 8 aux channels, 8 FX return channels, 16 aux buses, 6 matrices and the main L\/R and mono\/centre bus. Eight onboard true-stereo effects engines provide reverb, delay, equalisation, dynamics processing and other effects without requiring additional external processors.\u003c\/p\u003e\n\u003cp\u003eThe M32C can be controlled remotely using the M32-EDIT, M32-MIX and M32-Q applications. The factory-installed DN32-USB card transfers up to 32 recording and 32 playback channels between the mixer and a computer, while the ULTRANET output sends 16 audio channels to a P16 personal monitoring system. USB, Ethernet, MIDI and a replaceable expansion card slot allow the mixer to be integrated into live sound, studio, broadcast and installed audio systems.\u003c\/p\u003e\n\u003ch3\u003eMain Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e40-input, 25-bus processing architecture for complex live sound and installed audio systems\u003c\/li\u003e\n\u003cli\u003eCompact 1U rackmount chassis saves space in equipment racks\u003c\/li\u003e\n\u003cli\u003eTwo AES50 SuperMAC ports support MIDAS DL16, DL32 and other compatible stage boxes\u003c\/li\u003e\n\u003cli\u003e40-bit floating-point signal processing provides extensive internal processing headroom\u003c\/li\u003e\n\u003cli\u003eEight onboard true-stereo effects engines reduce the need for external processing equipment\u003c\/li\u003e\n\u003cli\u003e100-band Real-Time Analyzer in M32-EDIT provides detailed monitoring of the audio frequency spectrum\u003c\/li\u003e\n\u003cli\u003eFactory-installed DN32-USB card transfers 32 × 32 audio channels between the mixer and a computer\u003c\/li\u003e\n\u003cli\u003eULTRANET output sends 16 audio channels to a P16 personal monitoring system\u003c\/li\u003e\n\u003cli\u003eEthernet connectivity provides complete OSC-based remote control\u003c\/li\u003e\n\u003cli\u003e100-scene memory stores and recalls mixer settings for different events and projects\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMixer type:\u003c\/strong\u003e Digital rack mixer for live sound and installed audio applications\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRack format:\u003c\/strong\u003e 1U\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eProcessing channels:\u003c\/strong\u003e 32 input channels, 8 aux channels and 8 FX return channels\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMix buses:\u003c\/strong\u003e 16 aux buses, 6 matrices and main L\/R and mono\/centre bus\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTotal mix buses:\u003c\/strong\u003e 25\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInternal effects engines:\u003c\/strong\u003e 8 true stereo or 16 mono\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eScene memory:\u003c\/strong\u003e 100 total-recall scenes\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSignal processing:\u003c\/strong\u003e 40-bit floating point\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNetwork input\/output latency:\u003c\/strong\u003e 1.1 ms from stage box input through console processing to stage box output\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLatency specification:\u003c\/strong\u003e Includes all channel and bus processing; excludes insert effects and line delays\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES50 ports:\u003c\/strong\u003e 2 SuperMAC ports\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES50 capacity:\u003c\/strong\u003e Up to 96 network input and 96 network output channels\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRecommended AES50 cable:\u003c\/strong\u003e Shielded CAT-5e with EtherCON connectors\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum AES50 cable length:\u003c\/strong\u003e 100 m\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eExpansion card slot:\u003c\/strong\u003e 32 input and 32 output channels with support for multiple digital audio standards\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFactory-installed expansion card:\u003c\/strong\u003e KLARK TEKNIK DN32-USB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUSB audio interface:\u003c\/strong\u003e 32 recording and 32 playback channels over USB 2.0\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eULTRANET:\u003c\/strong\u003e 1 P16 connector, 16 audio channels, no device power supplied\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMIDI:\u003c\/strong\u003e 1 input and 1 output\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRemote control connection:\u003c\/strong\u003e 1 Ethernet RJ45\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFront USB connection:\u003c\/strong\u003e USB Type-A for WAV recording and playback, firmware updates and importing or exporting scene and show files\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTalkback microphone input:\u003c\/strong\u003e 1 external 1\/4-inch TRS, no phantom power\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum talkback input gain:\u003c\/strong\u003e +50 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum talkback input level:\u003c\/strong\u003e +8 dBu at unity gain\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTalkback input impedance:\u003c\/strong\u003e 2 kΩ\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMonitor outputs:\u003c\/strong\u003e 2 balanced 1\/4-inch TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum monitor output level:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMonitor output impedance:\u003c\/strong\u003e 50 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMonitor output frequency response:\u003c\/strong\u003e 20 Hz–20 kHz, +0 to −1 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMonitor output noise:\u003c\/strong\u003e −83 dBu, unweighted, 22 Hz–22 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMonitor output distortion:\u003c\/strong\u003e 0.02% at 0 dBu output level and 1 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDisplay:\u003c\/strong\u003e 128 × 64 LCD with RGB colour backlight\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStatus indicators:\u003c\/strong\u003e AES50 A and B port status, power and Mute All\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower supply:\u003c\/strong\u003e 100–240 V AC, 50\/60 Hz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower consumption:\u003c\/strong\u003e 40 W\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOperating temperature range:\u003c\/strong\u003e 5–40 °C\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 483 × 300 × 50 mm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 3.5 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMIDAS M32C digital rack mixer with factory-installed DN32-USB card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWho Is It For\u003c\/h3\u003e\n\u003cp\u003eThe MIDAS M32C is designed for live sound engineers, concert venues, theatres, houses of worship, recording studios, broadcast systems and installed audio applications. Its compact 1U format is particularly suitable for systems where audio inputs and outputs are provided by separate AES50 stage boxes and the mixer is operated remotely from a computer or mobile device.\u003c\/p\u003e\n\u003ch3\u003eCan’t find the MIDAS product you are looking for?\u003c\/h3\u003e\n\u003cp\u003eContact us: info@stageiq.lt or +370 636 55536.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":55787462427010,"sku":"4033653070515","price":914.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9736\/9730\/files\/MIDAS-M32C.jpg?v=1784209397"},{"product_id":"midas-dm12","title":"MIDAS DM12 Mixer","description":"\u003ch2\u003eMIDAS DM12 12-Input Analogue Mixer\u003c\/h2\u003e\n\u003cp\u003eThe MIDAS DM12 is a 12-input analogue mixer designed for live sound, studio recording, keyboard setups and drum submixing.\u003c\/p\u003e\n\u003cp\u003eThe compact mixer provides eight mono channels with MIDAS microphone preamplifiers, balanced XLR microphone inputs, 1\/4-inch TRS line inputs and channel inserts. Global +48 V phantom power supports condenser microphones and other compatible active audio equipment.\u003c\/p\u003e\n\u003cp\u003eEach mono channel features a 3-band EQ with a sweepable mid-frequency range from 150 Hz to 3.5 kHz. Dedicated stereo channels 9\/10 and 11\/12 accommodate keyboards, playback equipment and return signals from external effects processors. They can also be used with mono sources when only one input is connected.\u003c\/p\u003e\n\u003cp\u003eTwo auxiliary sends can operate pre-fader or post-fader, allowing them to be used for monitor mixes, external effects or a combination of both. The DM12 also provides dedicated monitor outputs, 2-track RCA input and recording output, a headphone output, PFL and mute controls, peak indicators and precise 60 mm faders.\u003c\/p\u003e\n\u003ch3\u003eMain Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e12-input analogue mixer for live performance and studio recording\u003c\/li\u003e\n\u003cli\u003eEight MIDAS microphone preamplifiers provide low-noise microphone signal amplification\u003c\/li\u003e\n\u003cli\u003eEight mono channels with XLR microphone inputs, TRS line inputs and channel inserts\u003c\/li\u003e\n\u003cli\u003eTwo stereo channels accommodate keyboards, playback equipment and effects returns\u003c\/li\u003e\n\u003cli\u003e3-band EQ on every mono channel with a sweepable mid-frequency control for precise tonal adjustment\u003c\/li\u003e\n\u003cli\u003eTwo auxiliary sends can be used for monitor mixes and external effects processing\u003c\/li\u003e\n\u003cli\u003eSelectable pre-fader or post-fader auxiliary operation supports different routing requirements\u003c\/li\u003e\n\u003cli\u003eGlobal +48 V phantom power supports condenser microphones and compatible active equipment\u003c\/li\u003e\n\u003cli\u003ePFL, mute and peak indication are provided on every input channel\u003c\/li\u003e\n\u003cli\u003e60 mm channel and main mix faders allow accurate and repeatable level adjustment\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMixer type:\u003c\/strong\u003e Analogue live and studio mixer\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTotal input channels:\u003c\/strong\u003e 12\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMono channels:\u003c\/strong\u003e 8\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStereo channels:\u003c\/strong\u003e 2 stereo channels \/ 4 line inputs\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone preamplifiers:\u003c\/strong\u003e 8 MIDAS microphone preamplifiers\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone inputs:\u003c\/strong\u003e 8 balanced XLR\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone input impedance:\u003c\/strong\u003e 2 kΩ balanced\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone gain range:\u003c\/strong\u003e +10 to +60 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum microphone input level:\u003c\/strong\u003e +11 dBu at +10 dB gain\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEquivalent input noise:\u003c\/strong\u003e −131 dBu with a 50 Ω source at 60 dB gain; −128 dBu with a 150 Ω source\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone input noise:\u003c\/strong\u003e −97 dBu at +10 dB gain\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency response at main output:\u003c\/strong\u003e 20 Hz–20 kHz (−1 dB); 20 Hz–70 kHz (−3 dB)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCommon-mode rejection ratio:\u003c\/strong\u003e Typically −90 dB at +60 dB gain\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTotal harmonic distortion plus noise:\u003c\/strong\u003e 0.005% at 1 kHz and 0 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePhantom power:\u003c\/strong\u003e Global +48 V\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMono line inputs:\u003c\/strong\u003e 8 balanced 1\/4-inch TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLine input impedance:\u003c\/strong\u003e 20 kΩ balanced or unbalanced\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLine input gain range:\u003c\/strong\u003e −10 to +40 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum line input level:\u003c\/strong\u003e +30 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eChannel inserts:\u003c\/strong\u003e 8 unbalanced 1\/4-inch TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum insert input and output level:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStereo inputs:\u003c\/strong\u003e 4 balanced 1\/4-inch TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStereo input impedance:\u003c\/strong\u003e 20 kΩ balanced or unbalanced\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStereo input gain range:\u003c\/strong\u003e −20 to +20 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum stereo input level:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMono channel EQ:\u003c\/strong\u003e Low ±15 dB at 80 Hz; sweepable mid ±15 dB from 150 Hz to 3.5 kHz; high ±15 dB at 12 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStereo channel EQ:\u003c\/strong\u003e Low ±15 dB at 80 Hz; high ±15 dB at 12 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAuxiliary sends:\u003c\/strong\u003e 2, independently switchable pre-fader or post-fader\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAuxiliary outputs:\u003c\/strong\u003e 2 balanced 1\/4-inch TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMonitor outputs:\u003c\/strong\u003e 2 balanced 1\/4-inch TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAuxiliary and monitor output impedance:\u003c\/strong\u003e 240 Ω balanced \/ 120 Ω unbalanced\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum auxiliary and monitor output level:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMain outputs:\u003c\/strong\u003e 2 electronically balanced XLR\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMain output impedance:\u003c\/strong\u003e 100 Ω balanced \/ 50 Ω unbalanced\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum main output level:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMain mix inserts:\u003c\/strong\u003e 2 unbalanced 1\/4-inch TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHeadphone output:\u003c\/strong\u003e 1 stereo 1\/4-inch TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHeadphone output impedance:\u003c\/strong\u003e 25 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum headphone output level:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2-track input:\u003c\/strong\u003e 2 RCA, 20 kΩ impedance, +21 dBu maximum level\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRecording output:\u003c\/strong\u003e 2 RCA, 1 kΩ impedance, +21 dBu maximum level\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMain mix noise:\u003c\/strong\u003e −104 dBu with main and channel faders at −∞; −91 dBu with the main fader at 0 dB; −84 dBu with main and channel faders at 0 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFaders:\u003c\/strong\u003e 60 mm channel and main mix faders\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower supply:\u003c\/strong\u003e 100–240 V AC, 50\/60 Hz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower consumption:\u003c\/strong\u003e 40 W\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMains connection:\u003c\/strong\u003e Standard IEC receptacle\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 95 × 328 × 370 mm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 3.9 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMIDAS DM12 analogue mixer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWho Is It For\u003c\/h3\u003e\n\u003cp\u003eThe MIDAS DM12 is designed for small bands, worship teams, live sound engineers and recording studios that require a compact analogue mixer with microphone and line inputs. In larger sound systems, it can also serve as a dedicated keyboard or drum submixer.\u003c\/p\u003e\n\u003ch3\u003eCan’t find the MIDAS product you are looking for?\u003c\/h3\u003e\n\u003cp\u003eContact us: info@stageiq.lt or +370 636 55536.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":55787462951298,"sku":"4033653070423","price":211.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9736\/9730\/files\/MIDAS-DM12-pic3.jpg?v=1784208370"},{"product_id":"midas-dm16","title":"MIDAS DM16 Mixer","description":"\u003ch2\u003eMIDAS DM16 16-Input Analogue Mixer\u003c\/h2\u003e\n\u003cp\u003eThe MIDAS DM16 is a 16-input analogue mixer designed for live sound, studio recording, keyboard setups and drum submixing.\u003c\/p\u003e\n\u003cp\u003eThe compact mixer features 12 mono input channels equipped with MIDAS microphone preamplifiers, balanced XLR microphone inputs, balanced 1\/4-inch TRS line inputs and channel inserts. Global +48 V phantom power is available for condenser microphones and active DI boxes.\u003c\/p\u003e\n\u003cp\u003eEach mono channel provides a 3-band EQ with a sweepable mid-frequency control from 150 Hz to 3.5 kHz. The two dedicated stereo channels are suitable for keyboards, playback devices and stereo effects returns, while balance controls also allow them to accommodate mono signals.\u003c\/p\u003e\n\u003cp\u003eTwo auxiliary sends can be switched between pre-fader and post-fader operation for monitor mixes or external effects. The DM16 also provides dedicated monitor outputs, 2-track RCA inputs and outputs, a headphone output, channel PFL and mute controls, peak indicators and precise 60 mm faders.\u003c\/p\u003e\n\u003ch3\u003eMain Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e16-input analogue mixer for live performance and studio recording\u003c\/li\u003e\n\u003cli\u003e12 MIDAS microphone preamplifiers provide low-noise microphone signal amplification\u003c\/li\u003e\n\u003cli\u003e12 mono channels with balanced XLR microphone inputs, balanced TRS line inputs and inserts\u003c\/li\u003e\n\u003cli\u003eTwo dedicated stereo channels accommodate keyboards, playback equipment and stereo effects returns\u003c\/li\u003e\n\u003cli\u003e3-band EQ on every mono channel with a sweepable mid-frequency control for precise tonal adjustment\u003c\/li\u003e\n\u003cli\u003eTwo auxiliary sends with pre-fader or post-fader operation for monitor mixes and external effects\u003c\/li\u003e\n\u003cli\u003eGlobal +48 V phantom power supports condenser microphones and compatible active equipment\u003c\/li\u003e\n\u003cli\u003ePFL, mute and peak indication on every input channel simplify signal monitoring\u003c\/li\u003e\n\u003cli\u003eSeparate monitor and headphone level controls provide flexible monitoring\u003c\/li\u003e\n\u003cli\u003e60 mm channel and main mix faders allow accurate and repeatable level adjustment\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMixer type:\u003c\/strong\u003e Analogue live and studio mixer\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTotal inputs:\u003c\/strong\u003e 16\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMono channels:\u003c\/strong\u003e 12\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStereo channels:\u003c\/strong\u003e 2 stereo channels \/ 4 line inputs\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone preamplifiers:\u003c\/strong\u003e 12 MIDAS microphone preamplifiers\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone inputs:\u003c\/strong\u003e 12 balanced XLR\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone input impedance:\u003c\/strong\u003e 2 kΩ balanced\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum microphone input level:\u003c\/strong\u003e +11 dBu at +10 dB gain\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone gain range:\u003c\/strong\u003e +10 to +60 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEquivalent input noise:\u003c\/strong\u003e -131 dBu with a 50 Ω source at 60 dB gain; -128 dBu with a 150 Ω source\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone input noise:\u003c\/strong\u003e -97 dBu at +10 dB gain\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMono line inputs:\u003c\/strong\u003e 12 balanced 1\/4-inch TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLine input impedance:\u003c\/strong\u003e 20 kΩ balanced\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum line input level:\u003c\/strong\u003e +30 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLine input gain range:\u003c\/strong\u003e -10 to +40 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eChannel inserts:\u003c\/strong\u003e 12 × 1\/4-inch TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStereo line inputs:\u003c\/strong\u003e 4 balanced 1\/4-inch TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStereo input gain range:\u003c\/strong\u003e -20 to +20 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum stereo input level:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMono channel EQ:\u003c\/strong\u003e Low ±15 dB at 80 Hz; sweepable mid ±15 dB from 150 Hz to 3.5 kHz; high ±15 dB at 12 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStereo channel EQ:\u003c\/strong\u003e Low ±15 dB at 80 Hz; high ±15 dB at 12 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAuxiliary sends:\u003c\/strong\u003e 2, independently switchable pre-fader or post-fader\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAuxiliary outputs:\u003c\/strong\u003e 2 balanced 1\/4-inch TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMonitor outputs:\u003c\/strong\u003e 2 balanced 1\/4-inch TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAuxiliary and monitor output impedance:\u003c\/strong\u003e 240 Ω balanced \/ 120 Ω unbalanced\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum auxiliary and monitor output level:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMain outputs:\u003c\/strong\u003e 2 electronically balanced XLR\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMain output impedance:\u003c\/strong\u003e 100 Ω balanced \/ 50 Ω unbalanced\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum main output level:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMain output inserts:\u003c\/strong\u003e 2 × 1\/4-inch TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHeadphone output:\u003c\/strong\u003e 1 stereo 1\/4-inch TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHeadphone output impedance:\u003c\/strong\u003e 25 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum headphone output level:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2-track input:\u003c\/strong\u003e 2 RCA, 20 kΩ impedance, +21 dBu maximum level\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRecording output:\u003c\/strong\u003e 2 RCA, 1 kΩ impedance, +21 dBu maximum level\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTotal harmonic distortion plus noise:\u003c\/strong\u003e 0.005% at 1 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFaders:\u003c\/strong\u003e 60 mm channel and main mix faders\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePhantom power:\u003c\/strong\u003e Global +48 V\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower supply:\u003c\/strong\u003e 100–240 V AC, 50\/60 Hz, standard IEC connection\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower consumption:\u003c\/strong\u003e 40 W\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 95 × 438 × 370 mm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 5 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMIDAS DM16 analogue mixer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWho Is It For\u003c\/h3\u003e\n\u003cp\u003eThe MIDAS DM16 is designed for small bands, worship teams, live sound engineers and recording studios that require a compact analogue mixer with multiple microphone and line inputs. It can also serve as a dedicated keyboard or drum submixer in larger performance systems.\u003c\/p\u003e\n\u003ch3\u003eCan’t find the MIDAS product you are looking for?\u003c\/h3\u003e\n\u003cp\u003eContact us: info@stageiq.lt or +370 636 55536.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":55787463115138,"sku":"4033653070355","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9736\/9730\/files\/MIDAS-DM16-pic3.jpg?v=1784207878"},{"product_id":"midas-m32r-live","title":"MIDAS M32R LIVE Digital Mixing Console","description":"\u003ch2\u003eMIDAS M32R LIVE Compact 40-Channel Digital Mixing Console\u003c\/h2\u003e\n\u003cp\u003eMIDAS M32R LIVE is a compact 40-input-channel digital mixing console with 16 MIDAS PRO microphone preamplifiers, 25 mix buses and integrated multitrack recording for live sound, studio, broadcast and post-production applications.\u003c\/p\u003e\n\u003cp\u003eThe console processes 32 main input channels, 8 auxiliary input channels and 8 FX return channels. Its output structure consists of 16 auxiliary buses, 6 matrices and a main L\/R and mono\/centre bus. The 40-bit floating-point DSP and 0.8 ms console input-to-output latency are designed for real-time audio mixing.\u003c\/p\u003e\n\u003cp\u003eThe 16 MIDAS PRO microphone preamplifiers feature individually switchable +48 V phantom power. MIDAS PRO motorised faders are rated for up to 1 million operating cycles, while programmable LCD scribble strips help identify channels and buses. The main 5-inch TFT display provides access to routing, signal processing, effects and metering parameters.\u003c\/p\u003e\n\u003cp\u003eThe integrated DN32-LIVE card provides up to 32 x 32 channels of USB 2.0 audio and MIDI connectivity with a computer. Two SD\/SDHC card slots enable recording and playback of up to 32 channels of uncompressed WAV audio without a computer, supporting virtual soundchecks and playback of previously recorded material.\u003c\/p\u003e\n\u003cp\u003eDual AES50 ports with Klark Teknik SuperMAC technology support up to 96 input and 96 output channels with compatible digital stage boxes and other AES50-equipped devices. The ULTRANET connection sends 16 channels to a P16 personal monitoring system, while Ethernet, MIDI and USB connections provide remote-control and DAW integration options.\u003c\/p\u003e\n\u003ch3\u003eMain Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e40 input channels and 25 mix buses provide flexible routing for live sound, studio, broadcast and post-production applications\u003c\/li\u003e\n\u003cli\u003e16 local XLR inputs with MIDAS PRO microphone preamplifiers accommodate microphones and line-level audio sources\u003c\/li\u003e\n\u003cli\u003eIndividually switchable +48 V phantom power supports condenser microphones and active DI boxes\u003c\/li\u003e\n\u003cli\u003e8 local XLR outputs provide connections for main, monitor and other bus signals\u003c\/li\u003e\n\u003cli\u003e40-bit floating-point DSP and 0.8 ms internal latency support real-time audio mixing\u003c\/li\u003e\n\u003cli\u003e16 auxiliary buses, 6 matrices and a main L\/R and mono\/centre bus support FOH, monitoring, zone, broadcast and recording mixes\u003c\/li\u003e\n\u003cli\u003eIntegrated DN32-LIVE card provides up to 32 x 32 channels of USB audio and MIDI connectivity for DAW operation\u003c\/li\u003e\n\u003cli\u003eDual SD\/SDHC slots enable recording and playback of up to 32 channels of WAV audio without a computer\u003c\/li\u003e\n\u003cli\u003eDual AES50 SuperMAC ports support up to 96 input and 96 output channels with compatible digital stage boxes\u003c\/li\u003e\n\u003cli\u003eULTRANET output sends 16 channels to a Behringer P16 personal monitoring system\u003c\/li\u003e\n\u003cli\u003e8 true-stereo or 16 mono internal effects engines reduce the need for external signal processors\u003c\/li\u003e\n\u003cli\u003e100-band real-time analyser helps monitor the frequency spectrum of channels and buses\u003c\/li\u003e\n\u003cli\u003eSends on Fader provides direct fader control of monitor and other bus sends\u003c\/li\u003e\n\u003cli\u003e8 DCA groups enable multiple related channels to be controlled from a single fader without changing their individual routing\u003c\/li\u003e\n\u003cli\u003eProgrammable LCD scribble strips with RGB backlighting simplify channel and bus identification\u003c\/li\u003e\n\u003cli\u003e5-inch colour TFT display presents effects, metering, routing and signal-processing information\u003c\/li\u003e\n\u003cli\u003eMIDAS PRO motorised faders are rated for up to 1 million operating cycles\u003c\/li\u003e\n\u003cli\u003eEthernet connectivity enables remote console operation using M32-EDIT software\u003c\/li\u003e\n\u003cli\u003eCompact aluminium construction is suitable for installed and mobile sound systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eInput channels:\u003c\/strong\u003e 40\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInput processing:\u003c\/strong\u003e 32 main input channels, 8 auxiliary input channels and 8 FX return channels\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMix buses:\u003c\/strong\u003e 25\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBus structure:\u003c\/strong\u003e 16 auxiliary buses, 6 matrices and main L\/R and mono\/centre bus\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDCA groups:\u003c\/strong\u003e 8\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInternal effects engines:\u003c\/strong\u003e 8 true-stereo or 16 mono\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTotal-recall scenes:\u003c\/strong\u003e 100\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eShow automation:\u003c\/strong\u003e 500 Cue List entries and 100 Snippets\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSignal processing:\u003c\/strong\u003e 40-bit floating point\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D conversion:\u003c\/strong\u003e 24-bit, 114 dB dynamic range, A-weighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eD\/A conversion:\u003c\/strong\u003e 24-bit, 120 dB dynamic range, A-weighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eConsole input-to-output latency:\u003c\/strong\u003e 0.8 ms\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNetwork latency:\u003c\/strong\u003e 1.1 ms from stage box input through console processing to stage box output\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMic\/line inputs:\u003c\/strong\u003e 16 x XLR with MIDAS PRO microphone preamplifiers\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTalkback microphone input:\u003c\/strong\u003e 1 x XLR\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRCA inputs and outputs:\u003c\/strong\u003e 2 x RCA inputs and 2 x RCA outputs\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue XLR outputs:\u003c\/strong\u003e 8\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMonitor outputs:\u003c\/strong\u003e 2 x XLR and 2 x balanced 1\/4-inch TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAuxiliary connections:\u003c\/strong\u003e 6 x balanced 1\/4-inch TRS inputs and 6 x balanced 1\/4-inch TRS outputs\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHeadphones output:\u003c\/strong\u003e 1 x 1\/4-inch TRS, stereo\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES50 ports:\u003c\/strong\u003e 2 x Klark Teknik SuperMAC\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES50 channel capacity:\u003c\/strong\u003e up to 96 input and 96 output channels\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eExpansion card interface:\u003c\/strong\u003e 32-channel audio input and output\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eULTRANET connection:\u003c\/strong\u003e 1 x P-16, no power supplied\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMIDI connections:\u003c\/strong\u003e 1 x MIDI IN and 1 x MIDI OUT\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUSB Type-A connection:\u003c\/strong\u003e 1 x for audio and data import\/export\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUSB Type-B control connection:\u003c\/strong\u003e 1 x rear-panel connector\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEthernet connection:\u003c\/strong\u003e 1 x RJ45 for remote control\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePhantom power:\u003c\/strong\u003e +48 V, individually switchable for each microphone input\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eXLR input impedance, unbalanced \/ balanced:\u003c\/strong\u003e 10 kΩ \/ 10 kΩ\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum non-clipping XLR input level:\u003c\/strong\u003e +23 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTHD + noise at 0 dB gain:\u003c\/strong\u003e \u0026lt;0.01%, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTHD + noise at +40 dB gain:\u003c\/strong\u003e \u0026lt;0.03%, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEquivalent input noise:\u003c\/strong\u003e -125 dBu at +45 dB gain, 150 Ω source, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCMRR at unity gain:\u003c\/strong\u003e greater than 70 dB, typical\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCMRR at 40 dB gain:\u003c\/strong\u003e greater than 90 dB, typical\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz–20 kHz, 0 to -1 dB at 48 kHz sample rate\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue input-to-output dynamic range:\u003c\/strong\u003e 106 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D stage dynamic range:\u003c\/strong\u003e 109 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eD\/A stage dynamic range:\u003c\/strong\u003e 109 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAdjacent-channel crosstalk rejection:\u003c\/strong\u003e 100 dB at 1 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eXLR output level, nominal \/ maximum:\u003c\/strong\u003e +4 dBu \/ +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eXLR output impedance, unbalanced \/ balanced:\u003c\/strong\u003e 50 Ω \/ 50 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTRS input impedance, unbalanced \/ balanced:\u003c\/strong\u003e 20 kΩ \/ 40 kΩ\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum non-clipping TRS input level:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTRS output level, nominal \/ maximum:\u003c\/strong\u003e +4 dBu \/ +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTRS output impedance, unbalanced \/ balanced:\u003c\/strong\u003e 50 Ω \/ 50 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHeadphones output impedance \/ maximum level:\u003c\/strong\u003e 40 Ω \/ +21 dBu, stereo\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eResidual XLR output noise at unity gain:\u003c\/strong\u003e -85 dBu, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eResidual XLR output noise when muted:\u003c\/strong\u003e -88 dBu, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eResidual TRS and monitor XLR output noise:\u003c\/strong\u003e -83 dBu, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDN32-LIVE USB interface:\u003c\/strong\u003e USB 2.0 High Speed Type-B, audio and MIDI\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDN32-LIVE USB channels:\u003c\/strong\u003e 32, 16, 8 or 2 input and output channels, full duplex\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSD card slots:\u003c\/strong\u003e 2 x SD\/SDHC\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSD card file system:\u003c\/strong\u003e FAT32\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSupported SD\/SDHC card capacity:\u003c\/strong\u003e 1–32 GB per slot\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSD recording and playback channels:\u003c\/strong\u003e 32, 16 or 8\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSample rate:\u003c\/strong\u003e 44.1 \/ 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSD recording word length:\u003c\/strong\u003e 32-bit PCM\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSD file format:\u003c\/strong\u003e uncompressed 8-, 16- or 32-channel WAV\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum recording time:\u003c\/strong\u003e 200 minutes when recording 32 channels at 44.1 kHz \/ 32-bit to two 32 GB SDHC cards\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMain display:\u003c\/strong\u003e 5-inch TFT LCD, 800 x 480 resolution, 262,000 colours\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eChannel displays:\u003c\/strong\u003e 128 x 64 LCD with RGB backlighting\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMain meter:\u003c\/strong\u003e 18 segments, -45 dB to clip\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower supply:\u003c\/strong\u003e 100–240 V AC, 50 \/ 60 Hz, ±10%\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower consumption:\u003c\/strong\u003e 70 W\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOperating temperature range:\u003c\/strong\u003e 5–40 °C\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 478 x 617 x 208 mm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 14.3 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMIDAS M32R LIVE digital mixing console\u003c\/li\u003e\n\u003cli\u003ePre-installed Klark Teknik DN32-LIVE USB and SD\/SDHC recording and playback card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWho Is It For\u003c\/h3\u003e\n\u003cp\u003eMIDAS M32R LIVE is designed for live sound engineers, concert venues, theatres, event production companies, broadcast systems, recording studios and post-production facilities. Its compact enclosure, integrated multitrack recording, remote control and AES50 connectivity with digital stage boxes make the console suitable for mobile and installed sound systems.\u003c\/p\u003e\n\u003ch3\u003eCan’t find the MIDAS product you are looking for?\u003c\/h3\u003e\n\u003cp\u003eContact us: info@stageiq.lt or +370 636 55536.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":55790084522370,"sku":"4033653071192","price":2202.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9736\/9730\/files\/MIDAS-M32R-LIVE-pic1.jpg?v=1784207254"},{"product_id":"midas-m32-live","title":"MIDAS M32 Live Digital Mixing Console","description":"\u003ch2\u003eMIDAS M32 LIVE 40-Channel Digital Mixing Console\u003c\/h2\u003e\n\u003cp\u003eMIDAS M32 LIVE is a 40-input-channel digital mixing console with 32 MIDAS PRO microphone preamplifiers, 25 mix buses and integrated multitrack recording for live sound, studio, broadcast and post-production applications.\u003c\/p\u003e\n\u003cp\u003eThe console processes 32 main input channels, 8 auxiliary input channels and 8 FX return channels. Its output structure consists of 16 auxiliary buses, 6 matrices and a main L\/R and mono\/centre bus. The 40-bit floating-point DSP and 0.8 ms console input-to-output latency are designed for real-time audio mixing.\u003c\/p\u003e\n\u003cp\u003eThe 32 MIDAS PRO microphone preamplifiers feature individually switchable +48 V phantom power. MIDAS PRO motorised faders are rated for up to 1 million operating cycles, while 29 programmable channel LCD scribble strips help identify channels, buses and control groups. The main 7-inch TFT display provides access to routing, processing, effects and metering parameters.\u003c\/p\u003e\n\u003cp\u003eThe integrated DN32-LIVE card provides up to 32 x 32 channels of USB 2.0 audio and MIDI connectivity with a computer. Two SD\/SDHC card slots enable recording and playback of up to 32 channels of uncompressed WAV audio without a computer, supporting virtual soundchecks and playback of previously recorded material.\u003c\/p\u003e\n\u003cp\u003eDual AES50 ports with Klark Teknik SuperMAC technology support up to 96 input and 96 output channels with compatible digital stage boxes and other AES50-equipped devices. The ULTRANET connection sends 16 channels to a P16 personal monitoring system, while Ethernet, MIDI and USB connections provide remote-control and DAW integration options.\u003c\/p\u003e\n\u003ch3\u003eMain Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e40 input channels and 25 mix buses provide flexible routing for live sound, studio, broadcast and post-production applications\u003c\/li\u003e\n\u003cli\u003e32 MIDAS PRO microphone preamplifiers accommodate microphones and line-level audio sources\u003c\/li\u003e\n\u003cli\u003eIndividually switchable +48 V phantom power supports condenser microphones and active DI boxes\u003c\/li\u003e\n\u003cli\u003e40-bit floating-point DSP and 0.8 ms internal latency support real-time audio mixing\u003c\/li\u003e\n\u003cli\u003e16 auxiliary buses, 6 matrices and a main L\/R and mono\/centre bus support FOH, monitoring, zone, broadcast and recording mixes\u003c\/li\u003e\n\u003cli\u003eIntegrated DN32-LIVE card provides up to 32 x 32 channels of USB audio and MIDI connectivity for DAW operation\u003c\/li\u003e\n\u003cli\u003eDual SD\/SDHC slots enable recording and playback of up to 32 channels of WAV audio without a computer\u003c\/li\u003e\n\u003cli\u003eDual AES50 SuperMAC ports support up to 96 input and 96 output channels with compatible digital stage boxes\u003c\/li\u003e\n\u003cli\u003eULTRANET output sends 16 channels to a Behringer P16 personal monitoring system\u003c\/li\u003e\n\u003cli\u003e8 true-stereo or 16 mono internal effects engines reduce the need for external signal processors\u003c\/li\u003e\n\u003cli\u003e100-band real-time analyser helps monitor the frequency spectrum of channels and buses\u003c\/li\u003e\n\u003cli\u003eSends on Fader provides direct fader control of monitor and other bus sends\u003c\/li\u003e\n\u003cli\u003e8 DCA groups enable multiple related channels to be controlled from a single fader without changing their individual routing\u003c\/li\u003e\n\u003cli\u003e29 programmable LCD scribble strips with RGB backlighting simplify channel and bus identification\u003c\/li\u003e\n\u003cli\u003e7-inch colour TFT display presents effects, metering, routing and signal-processing information\u003c\/li\u003e\n\u003cli\u003eMIDAS PRO motorised faders are rated for up to 1 million operating cycles\u003c\/li\u003e\n\u003cli\u003eEthernet connectivity enables remote console operation using M32-EDIT software\u003c\/li\u003e\n\u003cli\u003eCarbon-fibre, aluminium and steel structural elements are used in the console construction\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eInput channels:\u003c\/strong\u003e 40\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInput processing:\u003c\/strong\u003e 32 main input channels, 8 auxiliary input channels and 8 FX return channels\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMix buses:\u003c\/strong\u003e 25\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBus structure:\u003c\/strong\u003e 16 auxiliary buses, 6 matrices and main L\/R and mono\/centre bus\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDCA groups:\u003c\/strong\u003e 8\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInternal effects engines:\u003c\/strong\u003e 8 true-stereo or 16 mono\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTotal-recall scenes:\u003c\/strong\u003e 100\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eShow automation:\u003c\/strong\u003e 500 Cue List entries and 100 Snippets\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSignal processing:\u003c\/strong\u003e 40-bit floating point\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D converter dynamic range:\u003c\/strong\u003e 114 dB, A-weighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eD\/A converter dynamic range:\u003c\/strong\u003e 120 dB, A-weighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eConsole input-to-output latency:\u003c\/strong\u003e 0.8 ms\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNetwork latency:\u003c\/strong\u003e 1.1 ms from stage box input through console processing to stage box output\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMic\/line inputs:\u003c\/strong\u003e 32 x XLR with MIDAS PRO microphone preamplifiers\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTalkback microphone input:\u003c\/strong\u003e 1 x XLR\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRCA inputs and outputs:\u003c\/strong\u003e 2 x RCA inputs and 2 x RCA outputs\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue XLR outputs:\u003c\/strong\u003e 16\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMonitor outputs:\u003c\/strong\u003e 2 x XLR and 2 x balanced 1\/4-inch TRS\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAuxiliary connections:\u003c\/strong\u003e 6 x balanced 1\/4-inch TRS inputs and 6 x balanced 1\/4-inch TRS outputs\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHeadphones outputs:\u003c\/strong\u003e 2 x 1\/4-inch TRS, stereo\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDigital output:\u003c\/strong\u003e 1 x AES\/EBU XLR\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES50 ports:\u003c\/strong\u003e 2 x Klark Teknik SuperMAC\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES50 channel capacity:\u003c\/strong\u003e up to 96 input and 96 output channels\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eExpansion card interface:\u003c\/strong\u003e 32-channel audio input and output\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eULTRANET connection:\u003c\/strong\u003e 1 x P-16, no power supplied\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMIDI connections:\u003c\/strong\u003e 1 x MIDI IN and 1 x MIDI OUT\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUSB Type-A connection:\u003c\/strong\u003e 1 x for audio and data import\/export\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUSB Type-B control connection:\u003c\/strong\u003e 1 x rear-panel connector\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEthernet connection:\u003c\/strong\u003e 1 x RJ45 for remote control\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePhantom power:\u003c\/strong\u003e +48 V, individually switchable for each microphone input\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eXLR input impedance, unbalanced \/ balanced:\u003c\/strong\u003e 10 kΩ \/ 10 kΩ\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum non-clipping XLR input level:\u003c\/strong\u003e +23 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTHD + noise at 0 dB gain:\u003c\/strong\u003e \u0026lt;0.01%, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTHD + noise at +40 dB gain:\u003c\/strong\u003e \u0026lt;0.03%, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEquivalent input noise:\u003c\/strong\u003e -125 dBu at +45 dB gain, 150 Ω source, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz–20 kHz, 0 to -1 dB at 48 kHz sample rate\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue input-to-output dynamic range:\u003c\/strong\u003e 106 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D stage dynamic range:\u003c\/strong\u003e 109 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eD\/A stage dynamic range:\u003c\/strong\u003e 109 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAdjacent-channel crosstalk rejection:\u003c\/strong\u003e 100 dB at 1 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eXLR output level, nominal \/ maximum:\u003c\/strong\u003e +4 dBu \/ +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eXLR output impedance, unbalanced \/ balanced:\u003c\/strong\u003e 50 Ω \/ 50 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTRS input impedance, unbalanced \/ balanced:\u003c\/strong\u003e 20 kΩ \/ 40 kΩ\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum non-clipping TRS input level:\u003c\/strong\u003e +15 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTRS output level, nominal \/ maximum:\u003c\/strong\u003e -2 dBu \/ +15 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTRS output impedance, unbalanced \/ balanced:\u003c\/strong\u003e 100 Ω \/ 200 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHeadphones output impedance \/ maximum level:\u003c\/strong\u003e 40 Ω \/ +21 dBu, stereo\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eResidual XLR output noise at unity gain:\u003c\/strong\u003e -85 dBu, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eResidual XLR output noise when muted:\u003c\/strong\u003e -88 dBu, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eResidual TRS and monitor XLR output noise:\u003c\/strong\u003e -83 dBu, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDN32-LIVE USB interface:\u003c\/strong\u003e USB 2.0 High Speed Type-B, audio and MIDI\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDN32-LIVE USB channels:\u003c\/strong\u003e 32, 16, 8 or 2 input and output channels, full duplex\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSD card slots:\u003c\/strong\u003e 2 x SD\/SDHC\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSD card file system:\u003c\/strong\u003e FAT32\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSupported SD\/SDHC card capacity:\u003c\/strong\u003e 1–32 GB per slot\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSD recording and playback channels:\u003c\/strong\u003e 32, 16 or 8\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSample rate:\u003c\/strong\u003e 44.1 \/ 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSD recording word length:\u003c\/strong\u003e 32-bit PCM\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSD file format:\u003c\/strong\u003e uncompressed 8-, 16- or 32-channel WAV\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum recording time:\u003c\/strong\u003e 200 minutes when recording 32 channels at 44.1 kHz \/ 32-bit to two 32 GB SDHC cards\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMain display:\u003c\/strong\u003e 7-inch TFT LCD, 800 x 480 resolution, 262,000 colours\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eChannel displays:\u003c\/strong\u003e 128 x 64 LCD with RGB backlighting\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMain meter:\u003c\/strong\u003e 24 segments, -57 dB to clip\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower supply:\u003c\/strong\u003e 100–240 V AC, 50 \/ 60 Hz, ±10%\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower consumption:\u003c\/strong\u003e 120 W\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOperating temperature range:\u003c\/strong\u003e 5–45 °C\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 891 x 612 x 256 mm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 25 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMIDAS M32 LIVE digital mixing console\u003c\/li\u003e\n\u003cli\u003ePre-installed Klark Teknik DN32-LIVE USB and SD\/SDHC recording and playback card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWho Is It For\u003c\/h3\u003e\n\u003cp\u003eMIDAS M32 LIVE is designed for live sound engineers, concert venues, theatres, event production companies, broadcast systems, recording studios and post-production facilities. Integrated multitrack recording, remote control and AES50 connectivity with digital stage boxes make the console suitable for both mobile and installed sound systems.\u003c\/p\u003e\n\u003ch3\u003eCan’t find the MIDAS product you are looking for?\u003c\/h3\u003e\n\u003cp\u003eContact us: info@stageiq.lt or +370 636 55536.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":55790085079426,"sku":"4033653071178","price":2952.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9736\/9730\/files\/MIDAS-M32-Live.jpg?v=1784206116"},{"product_id":"midas-dl16","title":"MIDAS DL16 Digital Stage Box","description":"\u003ch2\u003eMIDAS DL16 16-Input \/ 8-Output Digital Stage Box\u003c\/h2\u003e\n\u003cp\u003eMIDAS DL16 is a 16-input and 8-output digital stage box designed for routing audio signals between the stage and front-of-house position in live sound, studio and recording systems.\u003c\/p\u003e\n\u003cp\u003eThe DL16 features 16 remotely controllable MIDAS PRO mic\/line preamplifiers with individually switchable +48 V phantom power. Eight balanced analogue XLR outputs provide return connections for stage monitors, amplifiers and other audio equipment.\u003c\/p\u003e\n\u003cp\u003eDual AES50 ports with Klark Teknik SuperMAC technology carry multichannel audio, control and clock data over a single shielded CAT5e cable. Up to three DL16 units can be daisy-chained to provide a total of 48 inputs and 24 outputs. The manufacturer specifies a maximum AES50 cable length of 100 metres.\u003c\/p\u003e\n\u003cp\u003eAn integrated 16-channel ULTRANET output connects the stage box to a Behringer P16 personal monitoring system. Two optical ADAT outputs can route AES50 channels to external equipment or send the 16 local inputs directly to a recording system in Splitter mode. MIDI IN and OUT provide bidirectional communication with a compatible digital console, while the assignable headphones output and LED level meter support on-stage signal checking.\u003c\/p\u003e\n\u003ch3\u003eMain Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e16 programmable MIDAS PRO mic\/line preamplifiers accommodate microphones and other stage-level audio sources\u003c\/li\u003e\n\u003cli\u003eIndividually switchable +48 V phantom power supports condenser microphones and active DI boxes\u003c\/li\u003e\n\u003cli\u003e8 balanced analogue XLR outputs provide signal returns for monitors, amplifiers and other stage equipment\u003c\/li\u003e\n\u003cli\u003eDual AES50 SuperMAC ports transmit multichannel audio, control and clock data over a single shielded CAT5e cable\u003c\/li\u003e\n\u003cli\u003eUp to three DL16 units can be daisy-chained to expand the system to 48 inputs and 24 outputs\u003c\/li\u003e\n\u003cli\u003eULTRANET output sends 16 channels to a Behringer P16 personal monitoring system\u003c\/li\u003e\n\u003cli\u003eTwo 8-channel optical ADAT outputs connect recording systems and other ADAT-compatible equipment\u003c\/li\u003e\n\u003cli\u003eAssignable headphones output and LED level meter simplify on-stage checking of input, output, P16 and ADAT signals\u003c\/li\u003e\n\u003cli\u003eMIDI IN and OUT provide bidirectional communication with compatible digital consoles and external MIDI devices\u003c\/li\u003e\n\u003cli\u003eUSB-B connection enables firmware updates from a computer\u003c\/li\u003e\n\u003cli\u003e2U enclosure fits a standard 19-inch equipment rack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue inputs:\u003c\/strong\u003e 16 x XLR with programmable MIDAS PRO mic\/line preamplifiers\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue outputs:\u003c\/strong\u003e 8 x balanced XLR\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D converters:\u003c\/strong\u003e 8-channel, 24-bit, 44.1 \/ 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D converter dynamic range:\u003c\/strong\u003e 114 dB, A-weighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eD\/A converters:\u003c\/strong\u003e stereo, 24-bit, 44.1 \/ 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eD\/A converter dynamic range:\u003c\/strong\u003e 120 dB, A-weighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNetworked I\/O latency:\u003c\/strong\u003e 1.1 ms from stage box input through console processing to stage box output\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES50 ports:\u003c\/strong\u003e 2 x SuperMAC, Neutrik etherCON\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES50 cable:\u003c\/strong\u003e shielded CAT5e with etherCON-compatible terminations\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum AES50 cable length:\u003c\/strong\u003e 100 m\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eULTRANET connection:\u003c\/strong\u003e 1 x P-16, no power supplied\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eADAT outputs:\u003c\/strong\u003e 2 x optical TOSLINK, 8 channels each\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMIDI connections:\u003c\/strong\u003e 1 x MIDI IN, 1 x MIDI OUT\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHeadphones output:\u003c\/strong\u003e 1 x 1\/4-inch TRS, mono\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUSB connection:\u003c\/strong\u003e 1 x USB-B for firmware updates\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePhantom power:\u003c\/strong\u003e +48 V, individually switchable for each input\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eXLR input impedance, unbalanced \/ balanced:\u003c\/strong\u003e 10 kΩ \/ 10 kΩ\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum non-clipping XLR input level:\u003c\/strong\u003e +23 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTHD + noise at unity gain:\u003c\/strong\u003e \u0026lt;0.01%, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTHD + noise at +40 dB gain:\u003c\/strong\u003e \u0026lt;0.03%, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEquivalent input noise:\u003c\/strong\u003e -125 dBu at +40 dB gain, 150 Ω source, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz–20 kHz, 0 to -1 dB at 48 kHz sample rate\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue input-to-output dynamic range:\u003c\/strong\u003e 107 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D stage dynamic range:\u003c\/strong\u003e 109 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eD\/A stage dynamic range:\u003c\/strong\u003e 110 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAdjacent-channel crosstalk rejection:\u003c\/strong\u003e 100 dB at 1 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eXLR output level, nominal \/ maximum:\u003c\/strong\u003e +4 dBu \/ +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eXLR output impedance, unbalanced \/ balanced:\u003c\/strong\u003e 50 Ω \/ 50 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHeadphones output impedance \/ level:\u003c\/strong\u003e 40 Ω \/ +21 dBu, mono\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eResidual XLR output noise:\u003c\/strong\u003e -86 dBu, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDisplay:\u003c\/strong\u003e 4-digit, 7-segment LED\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSignal level indicators:\u003c\/strong\u003e signal, -30, -18, -12, -9, -6 and -3 dB, plus clip\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower supply:\u003c\/strong\u003e 100–240 V, 50 \/ 60 Hz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower consumption:\u003c\/strong\u003e 45 W\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRack format:\u003c\/strong\u003e 19-inch, 2U\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 482 x 225 x 89 mm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 4.7 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMIDAS DL16 digital stage box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWho Is It For\u003c\/h3\u003e\n\u003cp\u003eMIDAS DL16 is designed for live sound engineers, concert venues, mobile sound systems, recording studios and production setups that require analogue connections close to the stage and multichannel audio transmission to a compatible digital console. It is compatible with MIDAS M Series, Behringer X Series and WING systems, as well as P16 personal monitoring equipment.\u003c\/p\u003e\n\u003ch3\u003eCan’t find the MIDAS product you are looking for?\u003c\/h3\u003e\n\u003cp\u003eContact us: info@stageiq.lt or +370 636 55536.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":55790085439874,"sku":"4033653070300","price":758.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9736\/9730\/files\/dl16_p0bi3_right_l.jpg?v=1762260653"},{"product_id":"midas-dl32","title":"MIDAS DL32 Digital Stage Box","description":"\u003ch2\u003eMIDAS DL32 32-Input, 16-Output Digital Stage Box\u003c\/h2\u003e\n\u003cp\u003eMIDAS DL32 is a 32-input, 16-output digital stage box designed for live sound, monitoring, multichannel recording and other professional audio systems.\u003c\/p\u003e\n\u003cp\u003eThe unit features 32 remotely controllable MIDAS PRO microphone preamplifiers and 16 balanced analogue XLR outputs. Audio signals can be transferred between the stage and a digital mixing console over AES50 using a single shielded CAT5e cable with a maximum length of 100 metres.\u003c\/p\u003e\n\u003cp\u003eTwo AES50 SuperMAC ports allow the DL32 to be integrated with MIDAS M32 Series consoles, other AES50-compatible equipment and additional stage boxes. The AES50 connection carries multichannel audio, clock synchronisation and control data.\u003c\/p\u003e\n\u003cp\u003eThe ULTRANET output provides 16 digital audio channels for compatible personal monitoring systems and Turbosound iQ Series loudspeakers. Two optical ADAT outputs, two AES\/EBU outputs and MIDI input and output provide additional system integration options. A front-panel MUTE ALL button temporarily mutes all inputs for safe cable connection and disconnection.\u003c\/p\u003e\n\u003ch3\u003eMain Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e32 remotely controllable MIDAS PRO microphone preamplifiers allow microphone and line-level sources to be connected directly on stage\u003c\/li\u003e\n\u003cli\u003e16 balanced analogue XLR outputs provide connections for monitors, amplifiers and other audio equipment\u003c\/li\u003e\n\u003cli\u003eDual AES50 SuperMAC ports carry up to 48 bidirectional audio channels over a single shielded CAT5e cable\u003c\/li\u003e\n\u003cli\u003eAES50 cable runs of up to 100 m allow the stage equipment to be positioned away from the FOH mixing console\u003c\/li\u003e\n\u003cli\u003eULTRANET output carries 16 digital audio channels to compatible personal monitoring systems and Turbosound iQ loudspeakers\u003c\/li\u003e\n\u003cli\u003eTwo optical ADAT outputs provide 16 additional digital audio output channels\u003c\/li\u003e\n\u003cli\u003eTwo AES\/EBU outputs allow external equipment with AES3 digital inputs to be connected\u003c\/li\u003e\n\u003cli\u003eIndividually switchable 48 V phantom power is available for every microphone input\u003c\/li\u003e\n\u003cli\u003eMUTE ALL function mutes all inputs to help prevent unwanted noise while changing connections\u003c\/li\u003e\n\u003cli\u003eAES50 SYNC indicator displays the digital connection and clock synchronisation status\u003c\/li\u003e\n\u003cli\u003eMIDI input and output provide MIDI communication with MIDAS M32 Series consoles\u003c\/li\u003e\n\u003cli\u003eUSB Type-B port enables firmware updates from a computer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eProduct type:\u003c\/strong\u003e digital stage box\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue inputs:\u003c\/strong\u003e 32 programmable MIDAS microphone preamplifiers, balanced XLR connectors\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue outputs:\u003c\/strong\u003e 16 balanced XLR line outputs\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES50 connections:\u003c\/strong\u003e 2 Neutrik etherCON ports, SuperMAC network\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES50 format:\u003c\/strong\u003e 2 × 48 bidirectional channels, 24-bit PCM, 44.1 or 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum AES50 cable length:\u003c\/strong\u003e 100 m with shielded CAT5e cable\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eULTRANET output:\u003c\/strong\u003e 1 × RJ45, unpowered\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eULTRANET format:\u003c\/strong\u003e 1 × 16 unidirectional channels, 22-bit PCM, 44.1 or 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum ULTRANET cable length:\u003c\/strong\u003e 75 m with shielded CAT5 cable\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eADAT outputs:\u003c\/strong\u003e 2 × Toslink\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eADAT format:\u003c\/strong\u003e 2 × 8 unidirectional channels, 24-bit PCM, 44.1 or 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTypical ADAT cable length:\u003c\/strong\u003e 5 m\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES\/EBU outputs:\u003c\/strong\u003e 2 × AES3 XLR\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES\/EBU format:\u003c\/strong\u003e 2 × 2 unidirectional channels, 24-bit PCM, 44.1 or 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES\/EBU impedance:\u003c\/strong\u003e 110 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTypical AES\/EBU cable length:\u003c\/strong\u003e 5 m\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMIDI connections:\u003c\/strong\u003e 1 input and 1 output\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUSB connection:\u003c\/strong\u003e 1 × USB Type-B port for system updates\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D and D\/A conversion:\u003c\/strong\u003e 24-bit at 44.1 or 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D and D\/A converter dynamic range:\u003c\/strong\u003e 114 dB, A-weighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNetwork input-to-output latency:\u003c\/strong\u003e 1.1 ms from stage box input through console processing to stage box output\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone input impedance:\u003c\/strong\u003e 10 kΩ\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum non-clipping input level:\u003c\/strong\u003e +23.5 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePhantom power:\u003c\/strong\u003e 48 V, individually switchable for each input\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEquivalent input noise:\u003c\/strong\u003e less than -126 dBu at +45 dB gain with a 150 Ω source, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz–20 kHz, 0 to -1 dB at a 48 kHz sample rate\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue microphone input-to-analogue output dynamic range:\u003c\/strong\u003e 107 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA\/D dynamic range:\u003c\/strong\u003e 109 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eD\/A dynamic range:\u003c\/strong\u003e 110 dB, 22 Hz–22 kHz, unweighted\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAdjacent-channel crosstalk rejection:\u003c\/strong\u003e 100 dB at 1 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 50 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum XLR output level:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower supply:\u003c\/strong\u003e 100–240 V, 50\/60 Hz, switch-mode autoranging power supply\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower consumption:\u003c\/strong\u003e 55 W\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStandard operating temperature:\u003c\/strong\u003e 5 to 45 °C\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 483 × 242 × 138 mm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 5.7 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMIDAS DL32 digital stage box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWho Is It For\u003c\/h3\u003e\n\u003cp\u003eMIDAS DL32 is designed for concert venues, touring sound systems, bands, event production companies and recording systems that require a high number of microphone inputs and analogue outputs on stage. It can be used with MIDAS M32 Series mixing consoles and other digital mixers or audio systems that support AES50 connectivity.\u003c\/p\u003e\n\u003ch3\u003eCan’t find the MIDAS product you are looking for?\u003c\/h3\u003e\n\u003cp\u003eContact us: info@stageiq.lt or +370 636 55536.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":55790085570946,"sku":"4033653070553","price":1262.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9736\/9730\/files\/MIDASDL32-pic1.jpg?v=1784536377"},{"product_id":"midas-dp48","title":"MIDAS DP48 Dual 48-Channel Personal Monitor Mixer","description":"\u003ch2\u003eMIDAS DP48 Dual 48-Channel Personal Monitor Mixer\u003c\/h2\u003e\n\u003cp\u003eMIDAS DP48 is a dual 48-channel personal monitor mixer that allows two performers to control independent monitor mixes on stage or in the studio.\u003c\/p\u003e\n\u003cp\u003eThe 48 audio channels received via AES50 can be assigned to 12 stereo groups. Vocals, drums, guitars, keyboards and other sources can be combined into logical groups, allowing performers to control a complex monitor mix without adjusting every channel separately.\u003c\/p\u003e\n\u003cp\u003eDP48 creates two independent stereo monitor mixes, labelled Mix A and Mix B. Each mix has dedicated controls for output volume, selected group level and the assignable My Group level. Both mixes also provide separate EQ, reverb level and limiter settings, allowing each performer to adapt the sound to their in-ear monitors or headphones.\u003c\/p\u003e\n\u003cp\u003eEvery group includes a 3-band EQ, compressor, reverb and panorama control. The built-in stereo ambience microphone allows performers to hear the stage, communicate with other musicians and maintain a connection with the audience. Automatic ducking reduces the ambience microphone level while the band is playing.\u003c\/p\u003e\n\u003cp\u003eStereo monitor mixes can be recorded to and played back from an SD or SDHC card, which can also store complete mixer presets. DP48 is compatible with 44.1 and 48 kHz AES50 devices, including compatible MIDAS and Behringer digital consoles and I\/O units. When used with a MIDAS HUB4, audio, control data and PoE power can be carried by a single CAT 5e cable.\u003c\/p\u003e\n\u003ch3\u003eMain Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e48 AES50 audio channels provide access to all sources required for performer monitoring\u003c\/li\u003e\n\u003cli\u003e12 stereo groups simplify complex monitor mixes by combining related channels\u003c\/li\u003e\n\u003cli\u003eTwo independent stereo mixes allow two performers to use one DP48 simultaneously\u003c\/li\u003e\n\u003cli\u003eDedicated Mix A and Mix B outputs support in-ear monitors, conventional headphones or line-level equipment\u003c\/li\u003e\n\u003cli\u003eSeparate controls for output volume, selected group level and My Group level provide direct access to essential parameters\u003c\/li\u003e\n\u003cli\u003e3-band EQ, compressor, reverb and panorama can be adjusted independently for every group\u003c\/li\u003e\n\u003cli\u003eSeparate EQ, reverb level and limiter settings allow Mix A and Mix B to be tailored to each performer\u003c\/li\u003e\n\u003cli\u003eBuilt-in stereo ambience microphone helps performers hear the stage environment and audience while using in-ear monitors\u003c\/li\u003e\n\u003cli\u003eAutomatic ducking reduces the ambience microphone level while the band is playing\u003c\/li\u003e\n\u003cli\u003eSD card recording and playback can be used to capture rehearsals and performances\u003c\/li\u003e\n\u003cli\u003eMix-minus recording can remove the corresponding My Group signal, allowing the recording to be used as a backing track\u003c\/li\u003e\n\u003cli\u003eComplete mixer presets can be stored on an SD card and loaded into another DP48\u003c\/li\u003e\n\u003cli\u003eChannel names and colour information transmitted via AES50 make sources easier to identify\u003c\/li\u003e\n\u003cli\u003eRemote control allows a technician or another DP48 unit to assist with performer monitor mixes\u003c\/li\u003e\n\u003cli\u003ePoE powering through a MIDAS HUB4 reduces the number of signal and power cables required on stage\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eProduct type:\u003c\/strong\u003e personal monitor mixer\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNumber of AES50 audio channels:\u003c\/strong\u003e 48\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNumber of stereo groups:\u003c\/strong\u003e 12\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMonitor mixes:\u003c\/strong\u003e 2 independent stereo mixes – Mix A and Mix B\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHeadphone outputs:\u003c\/strong\u003e 2 × 6.3 mm TRS, stereo, unbalanced, 25 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMix A \/ B line outputs:\u003c\/strong\u003e 2 × 6.3 mm TRS, mono, balanced, 1 kΩ; unbalanced, 500 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAux inputs:\u003c\/strong\u003e 2 × 6.3 mm TRS, balanced, 40 kΩ; unbalanced, 20 kΩ\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES50 connections:\u003c\/strong\u003e 2 × RJ45 – AES50 IN and AES50 THRU\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLow-frequency EQ:\u003c\/strong\u003e semi-parametric low shelving, ±15 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMid-frequency EQ:\u003c\/strong\u003e semi-parametric peak, ±15 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHigh-frequency EQ:\u003c\/strong\u003e semi-parametric high shelving, ±15 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAdjustable EQ frequency range:\u003c\/strong\u003e 20 Hz–22 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLimiter ratio:\u003c\/strong\u003e ∞:1\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum headphone output level:\u003c\/strong\u003e +12.8 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSample rate:\u003c\/strong\u003e 44.1 or 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSample word length:\u003c\/strong\u003e 24-bit\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eClock synchronisation:\u003c\/strong\u003e AES50 IN\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMinimum AES50 latency:\u003c\/strong\u003e 70 µs per network node\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRecommended AES50 cable:\u003c\/strong\u003e Ethernet CAT 5e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum AES50 cable length:\u003c\/strong\u003e 100 m\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMemory card format:\u003c\/strong\u003e SD \/ SDHC, FAT32\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSupported card capacity:\u003c\/strong\u003e up to 32 GB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePoE power:\u003c\/strong\u003e IEEE 802.3af via a compatible MIDAS HUB4\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eExternal power supply:\u003c\/strong\u003e 24 V DC \/ 600 mA\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum power consumption:\u003c\/strong\u003e 14 W with DC power adapter\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 69 × 242 × 164 mm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 1.3 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMIDAS DP48 personal monitor mixer\u003c\/li\u003e\n\u003cli\u003e24 V DC \/ 600 mA external power adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWho Is It For\u003c\/h3\u003e\n\u003cp\u003eMIDAS DP48 is designed for musicians, vocalists and other performers who want direct control over their monitor mixes on stage or in the studio. Its two independent stereo mixes are particularly useful for two performers working next to each other, while the remote-control functions allow a sound technician to assist with setup and make adjustments when required.\u003c\/p\u003e\n\u003ch3\u003eCan’t find the MIDAS product you are looking for?\u003c\/h3\u003e\n\u003cp\u003eContact us: info@stageiq.lt or +370 636 55536.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":56777684418946,"sku":"4033653080729","price":360.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9736\/9730\/files\/MIDASDP48-img1.jpg?v=1784540670"},{"product_id":"midas-dl8","title":"MIDAS DL8 Digital Stage Box","description":"\u003ch2\u003eMIDAS DL8 8-Input, 8-Output Digital Stage Box\u003c\/h2\u003e\n\u003cp\u003eThe MIDAS DL8 is an 8-input, 8-output digital stage box designed for professional live sound and stage monitoring systems.\u003c\/p\u003e\n\u003cp\u003eIts eight balanced XLR\/TRS combo inputs feature remotely controlled MIDAS PRO microphone preamplifiers. +48 V phantom power can be switched independently for each input. Eight balanced XLR line outputs provide connections for stage monitors, powered loudspeakers, amplifiers and other audio equipment.\u003c\/p\u003e\n\u003cp\u003eTwo AES50 SuperMAC ports support multichannel digital audio transmission and allow additional stage boxes to be connected in sequence. NEUTRIK etherCON connectors provide secure network cable connections, while the DL8 parameters can be controlled remotely from a compatible digital mixing console or mixer.\u003c\/p\u003e\n\u003cp\u003eThe unit also provides two powered ULTRANET outputs for BEHRINGER P16-M monitor mixers and compatible TURBOSOUND loudspeaker systems. The DL8 can be powered from an AC outlet or through its AES50-A port using a compatible PoE source. The included rack ears allow installation in a standard 19-inch rack enclosure.\u003c\/p\u003e\n\u003ch3\u003eMain Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e8 MIDAS PRO microphone preamplifiers provide professional microphone and line-level signal handling\u003c\/li\u003e\n\u003cli\u003e8 balanced XLR\/TRS combo inputs accommodate a variety of microphone and line-level sources\u003c\/li\u003e\n\u003cli\u003eIndividually switchable +48 V phantom power supports condenser microphones and active DI boxes\u003c\/li\u003e\n\u003cli\u003e8 balanced XLR line outputs provide connections for stage monitors, powered loudspeakers and other audio equipment\u003c\/li\u003e\n\u003cli\u003eTwo AES50 SuperMAC ports carry multichannel digital audio and support system expansion with additional stage boxes\u003c\/li\u003e\n\u003cli\u003eNEUTRIK etherCON connectors provide secure AES50 network cable connections\u003c\/li\u003e\n\u003cli\u003eTwo powered ULTRANET outputs can supply compatible monitor mixers with both audio and power\u003c\/li\u003e\n\u003cli\u003ePoE operation through the AES50-A port allows audio and power to be carried over a single cable\u003c\/li\u003e\n\u003cli\u003eAn integrated universal power supply allows the DL8 to be powered directly from an AC outlet\u003c\/li\u003e\n\u003cli\u003eA USB Type-B port is provided for system firmware updates\u003c\/li\u003e\n\u003cli\u003eIncluded rack ears allow installation in a standard 19-inch rack enclosure\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue inputs:\u003c\/strong\u003e 8 balanced XLR\/TRS combo connectors\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone preamplifiers:\u003c\/strong\u003e 8 MIDAS PRO\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePhantom power:\u003c\/strong\u003e +48 V, independently switchable for each input\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMicrophone input impedance:\u003c\/strong\u003e 5 kΩ unbalanced, 10 kΩ balanced\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLine input impedance:\u003c\/strong\u003e 5 kΩ unbalanced, 10 kΩ balanced\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum input level:\u003c\/strong\u003e +23 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnalogue outputs:\u003c\/strong\u003e 8 balanced XLR connectors\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 50 Ω unbalanced, 100 Ω balanced\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum output level:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES50 connections:\u003c\/strong\u003e 2 NEUTRIK etherCON ports\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES50 audio transmission:\u003c\/strong\u003e 2 × 48 bidirectional channels, 24-bit PCM\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSample rate:\u003c\/strong\u003e 44.1 or 48 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRecommended AES50 cable length:\u003c\/strong\u003e less than 80 m using shielded CAT5 cable\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eULTRANET outputs:\u003c\/strong\u003e 2 powered RJ45 ports\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eULTRANET cable length:\u003c\/strong\u003e less than 75 m\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 10 Hz - 22 kHz, 0 to -1 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDynamic range, analogue input to analogue output:\u003c\/strong\u003e 106 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAES50 system input-to-output latency:\u003c\/strong\u003e 1.1 ms\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAC power supply:\u003c\/strong\u003e 100-240 V, 50\/60 Hz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePoE power:\u003c\/strong\u003e through the AES50-A PoE\/SYNC IN port\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePower consumption:\u003c\/strong\u003e 35 W\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eUSB connection:\u003c\/strong\u003e USB Type-B for firmware updates\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 95 × 149 × 332 mm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 2.45 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMIDAS DL8 digital stage box\u003c\/li\u003e\n\u003cli\u003e19-inch rack mounting ears\u003c\/li\u003e\n\u003cli\u003eProtective enclosure bumpers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWho Is It For\u003c\/h3\u003e\n\u003cp\u003eThe MIDAS DL8 is intended for live sound systems, stage monitoring setups, theatres, cultural venues, conference facilities and mobile sound systems. It is suitable for users who need a compact AES50 digital stage box with MIDAS PRO microphone preamplifiers, analogue outputs and powered ULTRANET connectivity.\u003c\/p\u003e\n\u003ch3\u003eCan’t find the MIDAS product you are looking for?\u003c\/h3\u003e\n\u003cp\u003eContact us: info@stageiq.lt or +370 636 55536.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":56777707651458,"sku":"4033653071932","price":467.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0931\/9736\/9730\/files\/MIDAS-DL8-img1.jpg?v=1784543029"}],"url":"https:\/\/stageiq.lt\/en\/collections\/midas.oembed","provider":"STAGE IQ","version":"1.0","type":"link"}